The book I co-edited, The Late American Novel: Writers on the Future of Books, got its Publishers Weekly review this week – a very nice writeup. Also spotted this week, a longer consideration of the book at tumblr Feriatus.
Four days ago, The New York Times exposed the practice of purchasing five-star reviews on Amazon. So far, few have offered solutions. A Reddit user explains how to properly read Amazon review graphs through the cloud of purchased hype. Erin Keane calls for independent writers to hold themselves to higher standards.
Landays are traditional two-line folk poems, and they are particularly popular among Afghan women these days. Recently Poetry magazine dedicated an issue to the short verses, and Dowser has a behind-the-scenes look at how the issue was put together. Previously, New York Times Magazine caught up with some members of Mirman Baheerm, a women’s literary society based in Kabul.
“Her pincers tore at me… I stormed her openings as if she was a beleaguered fortress.” We’re wincing-slash-laughing at Lapham’s Quarterly‘s infographic of authors’ attempts to put sex down on the page throughout history. Pair with author Julia Fierro‘s great piece about trying to *do it* in her first novel.
Recommended Reading: Mary Addison Hackett reflects on heroin and harm reduction at n+1. “It is clear that no one — no neuroscientist, psychologist, psychiatrist, or physician — can explain what addiction is or account for its contradictions. Tobacco, cocaine, heroin, alcohol, MDMA, amphetamines — are they inherently addictive? Common knowledge suggests they are. But all around me I see exceptions more than the rule, my friends who use, have used, some or all of these drugs, including heroin, casually. I, too, am one of the exceptions.”
“I don’t want to write ‘funny’ books where we all have to laugh our heads of all the time. The humor should come from behind, where we don’t expect it. And the life of a well-known writer is something you can laugh about quite easily.” On the occasion of his new novel Dear Mr. M, our own Claire Cameron interviews Herman Koch over at Salon.
This will either make or ruin your Tuesday: a clip of Orson Welles, in 1974, reminiscing about his relationship with Hemingway. As Sadie Stein writes, “it has everything: titanic ego-clashing, disingenuous concern-trolling, bullfighting, damning with faint praise, posthumous character assassination.” You could also read Jessica Roake on Peter Biskind’s My Lunches with Orson.