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“One thing that could have made this story end differently is if the United States had a significant cultural policy. We have a trade policy – we protect industries we value – and we have an anti-trust policy designed to protect consumers. We have arts and humanities endowments that assist institutions. But our cultural policy is mostly to let culture fend for itself in the open market. It works great, but sometimes it doesn’t.” Salon looks at what Amazon, the Penguin-Random House merger, and the imposition of capitalism to culture might mean for literature at large.
“Maybe Gnossos, had [Richard] Fariña lived long enough for a sequel, would have wound up on a commune in Canada, nibbling feta and blissed out on retsina, exhaling paregoric joints in some lush and fragrant garden … But he died in his twenties, like a lot of energetic young men of his era. It was the kind of romantic death we feel we understand almost too well, a promising talent suspended, that sense of exemption he wrote about—from mediocrity, from bourgeois compromise and midlife disappointment—a membrane forever intact.” On the enduring joys and exuberant voice of Richard Fariña’s Been Down So Long It Looks Like Up To Me.
“Why can’t we keep our literary heroes where they belong, at the top of the bookshelf next to all the others? And why must we ache for their approval, their admiration, their love?” Alex Gilvarry posts about writers who dare to approach their literary heroes for the Paris Review Daily.