For its spring issue, the Paris Review will be publishing Roberto Bolaño’s The Third Reich—its first serialized novel in forty years—with original illustrations by Leanne Shapton. It’s a chance to discover Bolaño’s famous lost novel almost a year before it appears in book form.
Nowadays, we take it as a given that Tolstoy’s fame was guaranteed by his talent, but many of his contemporaries thought he’d never get a readership outside his native Russia. Why? His writing, as Rosamund Bartlett puts it in a comparison with Turgenev, was “unpolished, more uncompromising and altogether more Russian” than his peers’. If you generally prefer Dostoevsky, you’ll appreciate our survey of scholars on which author was greater. (h/t Arts and Letters Daily)
“I’ve learned that people—writers and non-writers alike—don’t like that word. Failure…. I take a bizarre pleasure, now, in using that word. Maybe because during my decade as a failed writer, the one thing that took the edge off was wallowing in that failure—carefully, in a proscribed fashion, like having a drink when you’re still hungover.” Stephanie Feldman writes for Vol. 1 Brooklyn about being a literary failure, about the two books she wrote and never published, and about the one she finally did. Pair with the stories of these 5 writers and their failed “novels in drawers.”