Paravion Press, a small press born in a small Greek island’s bookshop, print postcard-sized editions of short stories that are designed to be sent by mail, complete with a page for your correspondence and an envelope. To celebrate their Valentine’s publication of Katherine Mansfield’s “Feuille d’Album,” they’re holding a Romantic Haiku Challenge, whose winner will receive a free copy.
Love Par Avion
Byron-ness
Which Lord Byron is the most Byron-y? Let Mallory Ortberg tell you in her rankings of Byron portraits.
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Born Without Choosing
“[Don] DeLillo’s characters long to penetrate the enigmas and intrigues of his conjured worlds; DeLillo’s readers devour his sentences, images and narratives for what amounts to something similar: for all that DeLillo — the seeker, the prophet, the mystic, the guide — sees.” Don DeLillo has a new book, Zero K, out tomorrow. Go check out this review from The New York Times, and then go take a look at this essay from The Millions’s own Nick Ripatrazone on DeLillo and American athletics.
The Crisis of Criticism
“Then there’s the no-one-reads-anymore hysteria, the lack of supportive careers for apprenticing writers, the MFA deathtrap, etc. It feels self-indulgent as a critic to say, ‘But the whole critical structure has broken down, let’s talk about that.’ The critic only comes into play when the books are actually produced and put onto the market, meaning their jobs are tied into this whole decaying, rotting mess of an industry.” Jessa Crispin writes on the self-hating book critic.
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The Pale King Comes into View
David Foster Wallace’s unfinished novel The Pale King now has a cover and an April 15 release date (appropriate for its IRS-oriented subject matter.) The New York Times has a bit more.
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Writing History
Laila Lalami recently wrote about “How History Becomes Story,” but writing an interesting and compelling history book sans fiction has its own challenges. Thankfully S.C. Gwynne offers some tips in a piece for the History News Network, including the hard-hitting reminder that “it is your job to force your facts into narrative form.”
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