“Experience has fallen in value. And it looks as if it is continuing to fall into bottomlessness.””It is no longer intelligence coming from afar, but the information which supplies a handle for what is nearest that gets the readiest hearing.” –Walter Benjamin, “The Storyteller.” Illuminations, trans. Harry Zohn.When it comes to a reputation for difficulty, the book business is second only to the restaurant business… and no one has yet figured out how to run an online restaurant. The ascendance of e-commerce – along with the consolidation of corporate capital, the real estate bubble, and a host of concurrent factors – has over the last 15 years profoundly altered the reading lives of Americans. The changes are not exclusively for the worse; in the small town where I grew up, for example, it’s become a hell of a lot easier for a high-school sophomore to get his hands on a volume of, say, Angela Carter. But, as the recent documentary “Indies Under Fire: The Battle for the American Bookstore” suggests, the mercantile landscape grows increasingly inhospitable for independent booksellers. A recent spate of high-profile bookstore closings underscores the point (via Ed).Why does this matter? After a Joshua Ferris reading at an independent bookstore the other night, a friend of mine proposed that our cultural lives are forged by a confluence of information and experience. Information – that Rolling Stone gave the album Born to Run five stars, for example – is a perfectly reasonable way to get a handle on a work of art. But to experience “Born to Run” exploding off the Delaware Memorial Bridge at night, in the summer, with the windows down and a person you love in the passenger’s seat, is to find it seared forever in one’s soul, like Marcel’s madeleine.The corporate book-purveyor, armed with the best market research money can buy, directs information toward consumers. If I want to find out what Barnes & Noble thinks New Yorkers are likely to want to buy, the downstairs tables at the Union Square B & N can’t be beat. And there are fine books on those tables. But as Walter Benjamin observes, “The acquisition of books is by no means a matter of money or expert knowledge alone.” The experience of the Barnes & Noble – quality controlled, wood-veneered, perfectly odorless – disappears as soon as one is out the door.A great bookstore, by contrast, is a staging ground for experience. The experience of the zealous clerk. The experience of the comely fellow browser. The experience of seeing Gordon Lish’s first book of stories nestled against Eudora Welty’s in a teetering pile, and reading the first page of “For Jerome” in situ, and feeling that private excitement of the mind. The experience of entering something larger than oneself… the republic of letters. As public libraries downsize stacks in favor of internet kiosks, this last experience, so important for so many of us, is increasingly the preserve of the independent bookstore.Here in New York, the indie isn’t dead – far from it. Passionate owners and managers and employees understand that they’re not just making sales, but making room for an experience. As a way of thanking them, and celebrating the arrival (finally!) of spring – and in the spirit of Walter Benjamin – I herewith offer a highly selective walking tour of my favorite bookstores in New York. “I have made my most memorable purchases on trips, as a transient. Property and possession belong to the tactical sphere. Collectors are people with a tactical instinct; their experience teaches them that when they capture a strange city, the smallest antique shop can be a fortress, the most remote stationery store a key position. How many cities have revealed themselves to me in the marches I undertook in the pursuit of books!” -Walter Benjamin, “Unpacking My Library,” trans. Harry Zohn.Stop 1: Gotham Book Mart (16 East 46th between 5th Avenue and Madison Avenue)If my wanderings these days took me further uptown, I’d probably have some more stores to single out. As it is, I’ll start with the Gotham Book Mart. This venerable institution, featured in a sexually charged scene in Don DeLillo’s Cosmopolis, is also John Updike’s favorite bookstore. This is, as far as I know, all that these two men have in common. In addition to fantastic selection of used & new 20th century literature, the Gotham boasts rare memorabilia, antiquarian treasures, and the best selection of literary magazines you’ll find anywhere… period.Stop 2: The Strand (828 Broadway at East 12th.)Having got your fill of midtown, amble down Broadway past 14th St. Now we’re really in book country. The Strand, another New York institution, advertises “8 miles of books,” but it feels more like 16. A recent redesign has stripped away some of the flyblown, foxed, and watermarked pleasures of shopping in The Strand, but the vertiginous sensation of being surrounded by millions of cheap books remains… a feeling like playing hooky with a slight fever. Be sure to troll the Parisian dollar stalls outside, as great finds abound. Half-price review copies are great if you’re looking for contemporary fiction. The Strand remains a wonderfully terrible place to go searching for a specific book… I never leave empty-handed, but generally spend several hours and several dollars discovering volumes I wasn’t planning to buy.Stop 3: St. Mark’s Bookshop (31 3rd Avenue at 9th Street).Continuing downtown, forgo the cramped Astor Place B & N in favor of St. Mark’s Bookstore. You can’t turn around in this fantastic shop without elbowing a brilliant intellectual… they’re drawn here by the shelves full of recondite critical theory, post-New York School poetry collections, and cutting-edge art books… and by the feeling of rubbing elbows with the East Village denizens who penned them. Pick up some Slavoj Zizek, enjoy the condescension of an existentialist clerk… and be sure to wear your plastic-framed glasses. You’ll emerge feeling 15 IQ points smarter.Stop 4: The folding tables on W. 4th St. (W. 4th between West Broadway and Mercer)Okay, not strictly a bookstore, but what’s better than lollygagging on a sidewalk on a sunny day and discovering W.G. Sebald? Prices are negotiable, and the guys who sell the books make even the most hardcore bibliophile look minor league.Stop 5: Oscar Wilde Books (15 Christopher Street between Greenwich Ave. & Waverly Pl.)The country’s oldest gay and lesbian bookstore has been serving the West Village for more than 40 years. For founder Craig Rodwell, a “gay and lesbian bookstore” was not a clearinghouse for erotica, but rather a bookstore whose shelves spoke to the lives of the gay community. The store has been central to advocacy efforts for gay rights and, in the 80s, recognition of the growing HIV/AIDS crisis. Many a young poet has worked the register here, and a recent program invited authors like Michael Cunningham to spend an afternoon clerking, offering patrons a unique chance to chat informally with their favorite writers. Or was that Three Lives I’m thinking of? (154 W. 10th at Waverly Place)Stop 6: Unoppressive, Non-Imperialist Books (34 Carmine St. between Bedford and Bleecker Streets)This tiny shop on Carmine St. seems to run largely on remainders. Thus, prices are low, low, low. The sensibility is well-represented by the name. Here’s the place to find Zen esoterica, punk rock poetry, and various books from the political left. And you don’t have to worry about your money going to right-wing PACs. Much like…Stop 7: Housing Works Used Book Cafe (126 Crosby St. between Prince and Houston) Having worked up an appetite, stop into this gorgeous loft space on atmospheric Crosby St., and buy soup or a knish or coffee… for a great cause. This bookstore, staffed by volunteers, stocked with donations, sends 100% of its proceeds to its parent organization, Housing Works, which provides medical care, job training, housing, and other services to New Yorkers with HIV/AIDS who have faced homelessness. It’s truly an amazing project, and boasts some of the best literary programming in the city… like a recent reading/concert featuring Jonathan Lethem in conversation with George Saunders. Free! Of course, I’m biased, as Housing Works signs my paychecks.Stop 8: McNally Robinson (52 Prince St. between Mulberry and Lafayette)McNally is maybe the most lavishly appointed bookstore in the city. Here, much attention has been paid to the aesthetics of the literary experience. Book displays feature small presses that produce beautiful books, like Coach House Books or Archipelago Books. The fiction section used to be arranged nationally (French, German, English, etc.), but is now, alas, alphabetical. Still, it’s hard to leave McNally without something lovely. If you’re not sure what to read, a friendly and knowledgeable staff is eager to share its favorite titles.Now, across the Brooklyn Bridge to Stop 9: BookCourt (163 Court St. between Pacific and Dean)BookCourt is not only my neighborhood independent bookstore, it’s the very model of a neighborhood bookstore. The selection of books and periodicals is large enough to meet everyone’s interests, and well-curated enough not to be overwhelming. Displays are tailored to the neighborhood’s reading habits… the BookCourt top 10 is always strikingly different from that of any bookstore in Manhattan. Benches on the sidewalk out front offer a comfortable place to crack open one’s latest purchases.Stop 10: Freebird Books & Goods (123 Columbia St. between Kane & Degraw)This ur-used bookstore is where I took in the above-mentioned Joshua Ferris reading, and so I’ll defer to Mr. Ferris for a description: “There’s creaking hardwood floors, a pleasant dog on a thrift-store recliner, and the inimitable smell that comes of old comforting books long shelved back to back. It’s my favorite used bookstore in New York because it gets everything right: the big plate-glass window, the bell on the door, the enviable view of Manhattan, and the always well-stocked fiction section. Plus, a palpable feeling that you’re in a place where books, no matter how old, are alive and well. […] Open Mic, special guests, and food and drinks, including Moxie soda (oldest in America) and corndogs. Freebird is the kind of place that reminds you of why you read, why you wander New York streets in search of something, and why you know it when you find it.” (via TEV)And now my feet are tired and it’s time for a beer and a corndog. But if you want to keep exploring, you should check these out, too (commenters, please feel free to add to this list):Community Bookstore and Cafe of Park Slope (143 7th Avenue Brooklyn, between Carroll and Garfield Streets)Spoonbill & Sugartown (218 Bedford Avenue Brooklyn, between North 4th and North 5th Streets)Nkiru Books (68 St. Marks Place Brooklyn between 5th and 6th Avenues)
Awful all around, for all of them.
I think the US covers are so much better. They are more subtle and more artistic. I was pleasantly surprised!
— Radhika.
Such a thought provoking and in-depth analysis of the work, AMPruteanu.
Its clear from this that America is way better than the UK!!
Go team America!!
Yay!!!
UK = visit a dentist already!!!
Jimmy Nowhere: when they pay me for that, I’ll give them that. Until then, though: Nyet!
Have you seen the UK cover for Knut Hamsun’s Hunger?
It’s awful.
Never judge a book by its cover they say….
Obviously they’re never read the Necronomicon ;)
They have tails you know…(Brits that is)
My cousin/brother Jeb told me so.
I’ve even heard that some of the books they read have plain covers with just the name of the book on it!! Sometimes only down the spine!!!
They have big dusty old libraries with these plain covered books and people actually read them!!! 80
Its a mad, mad world and no mistake!!
It isn’t that one set of covers are better or worse than the other it is good that publishers recognise the different sensibilities of 2 seperate sets of readers. perhaps we could work on the spelling next.
P-lease! Don’t get me started on the spelling!!!
I’m pretty sure they learnt modern English from us Americans (You only have to read Charles Dickens to understand how backward they were before we educated them on modern English)
I love the accent though; “Aw-roight Mary, spare us cupla bob!”
so twee…
“seperate”
“Aluminium”
“Honour, Colour.”
An obsession with the letter ‘u’ maybe?
(If you line up lots of u’s it kind of looks like teeth:
uuuuuuuuu
They have wooden teeth you know….
F.A.C.T.
(The Queen mother did in fact had plywood teeth)
Actually judging from the perspective of which books I would be more likely to pick up to read the blurb – for the most part (perhaps one exception) I prefer the UK covers. Could not always tell you why. I certainly wouldn’t presume to say the US covers are awful (well one or two really put me off) but simply that they do not attract me in the same way.
Great article!
The ignorant/rude/offensive people in the comments? Not so much.
Or person, should I say.
This is strange: in the years since I’ve been following TMN’s Tournament of Books, this marks the first time that I’ve preferred the US editions over the UK. Except with “Freedom” and “So Much for All That.” That giant bird drives me nuts.
You should compare covers of the John Cleaver series by Dan Wells. They’re also in Germany (and look at the cover from Taiwan from the first book).
Great piece; I find it fascinating that although we English and Americans are very similar in many respects, that there are also some beautiful finite differences that make us wonderfully unique.
I can’t agree on this whole spelling deal though! – ‘English’ grammar on the whole is an organic entity and changes have appeared throughout the 20th Century on both sides of the Atlantic. Hundreds of words are added to the Oxford English Dictionary every year, I’m sure the same applies state-side…
NB: The American spelling ‘Aluminum’ is in fact scientifically correct; When this new material was presented to English engineers, they, in their wisdom changed it!
(The queen Mum did in fact have very bad teeth though i’m sure they were spruce not plywood!!)
vive le difference as they say…
> I did think that the Necronomicon post was funny though!!
Like it or not, ‘Dwayne the Rude’ is one funny guy!
We are very good at laughing at ourselves over here ;)
200 years ago Noah Webster changed the spelling when he did his dictionary.
Generally, the UK covers have a little more tone, but adaptability to local tastes is a dine idea.
Comments (above) about dumbed-down American spelling are pointless and incredibly self-defensive!
Is oversimplification really the first principle of everything in the US?
“fine idea”, of course.
Generally the American covers are more artistic.
What’s clearly noticeable though is the fact that 90% of UK covers have snippets of acclaims or praise from sources, be it newspapers or other authors. This plays as a major selling point for the books from my study of the UK market.
As an American, I could not say which is better–we are all culture bound. I can critique the art tho.
The Brit ROOM for instance offers great claustraphobic effect with the gradient as if looking through a window and the strectched text on ROOM give the effect of a magnifying glass. So that house is really small. The Am. ROOM suggests a child and maybe an angry child which I don’t find as interesting.
The Brit FREEDOM has vertical text which is harder to read. The Am FREEDOM has eye catching text and nice colors.
SO MUCH FOR THAT on the Brit ver is harder to read than the Am. but the opposite ti true of the next book, SUPER SAD.
To Dwayne Davies:
The British fascination with the letter ‘U’ is actually a very successful innovation on their part.
It makes drawing the ‘U’ to a Scrabble rack much less of a threat.
^ U’s used to be V’s – (Ancient stonemasons found it easier to carve a V than a U.)
I live near a city called Bath, Roman Name: Aqvae Svlis
V’s like, 4 points, U’s only 1 point :(
I therefore blame the Romans for my poor Scrabble scores.
There is one big difference between the US and UK. The UK still publishes a lot of quality writing,= and has many excellent bookstores. The US tends to publish cookbooks, romance novels and self-help trash. The difference may be that the British still teach English in schools. Most people here in the US find People magazine challenging.
Just pop in any American bookstore–what do you find. Anything BUT books and then cookbooks and self-help trash.
Dear Dwayne Davies…
Give it a break. Or get a job. You obviiously have too much time on your hands given the number of off-topic posts…
I thought the good ‘ol US would be crushed in this one, but I’m pleasantly surprised to see that we faired pretty well. I’m one of those nerds that would lean towards purchasing a book (or any product) just because of the design. I appreciate the insightful reviews after each example.
me being neither American not English i would say i have unbiased opinions and I think for all the books except for freedom i prefer the UK book covers are much better since I am guilty as charge of judging books by their cover i would have choose the UK ones every time (except for freedom) without even knowing which one it belongs two!!!!!
~Cuz Diamond is nothing but coal that did well under pressure~
You can’t really tell from the picture, but the UK Super Sad… has a coloured foil effect that, IMHO, works very well.
IMHO:
“The Particular Sadness of Lemon Cake”: US. US version reminds me of the paintings of Wayne Thiebaud: Happy, but with a haunting quality. The UK version looks like a still life with cake, lemons, and human being. That’s kind of creepy when you think about it.
“Room”. UK. A hauntingly beautiful quality about it. Little house draws us into picture, and might draw me into the book itself. The US version is more scary-creepy-disturbing.
“A Visit from the Goon Squad”. US. I like Jennifer Egan, and the bigger her name is on the book the more likely I am to read it. The UK version is just kinda’ weird with the letters falling like coal on an umbrella. What’s that about?
“Freedom”. US. It’s pretty, and it has a whole bird and not just some lame feather like the UK version.
“So Much For That”. US. Bold colors and torn picture suggest more than a place setting where if you look closely the knife has been replaced by a box cutter (or is that a fountain pen?). I like orange in books. It reminds me of my copy of “A Clockwork Orange”.
“Super Sad True Love Story”. US. A tongue-in-cheek, over-the-top title deserves a similar cover. The UK version is too muted and convoluted in tone. The US version is as in-your-face as the title.
jeez, could’ve you have been ANY more bias against the UK??
could’ve been a good article…
wasn’t
I am a writer and I design my own book covers completelty by myself. Who else knows better than me how to visualize the content of my manuscript?
Completelety = completely
Hehe, completelty
I find it interesting that for the “unbearable Sadness of Lemon Cake”, the UK cover emphasises the “Sadness” whereas the US cover emphasises the “Lemon Cake”. Far be it from me to draw any conclusions from that. :-)
Reading some of these comments are quite funny, “Visit a dentist already” & “Plain covers with only the title down the spine”, guys come on, really? Don’t believe everything you hear. The U.S version of most of the books are better, which is a shame really as it’s the covers that draw you in, oh well, I think more time needs to be spent deciding on the cover designs over here in Britatin.