“Far more than any other medium, books contain civilizations, the ongoing conversation between present and past. Without this conversation we are lost. But books are also a business….” Jason Epstein explains how publishing works—and why, increasingly, it doesn’t, at the New York Review of Books. (via)
Jason Epstein on How Publishing Works
“…invisible worlds, unspeakable intuitions…”
At Salonica, Monica Carter interviews Muriel Barbery, author of The Elegance of the Hedgehog, about her new novel, Gourmet Rhapsody.
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The Worst Thing About Owning a Bookstore
The worst thing about owning your own bookstore? According to Garrison Keillor, it’s that “you do not get a 10 percent discount when you buy books. I don’t know why. It was explained to me once, and I didn’t understand. I mean, I’m the owner, right? But no, that’s not how it’s done.”
Lydia Davis Whistles
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“Beyond Geography” Event at The Center for Fiction
Tonight, 12/4, in New York, The Center for Fiction, hosts “Beyond Geography,” a discussion of the role of place in the art of fiction with Jennifer Haigh, Hari Kunzru, Jennifer Acker, and Sonya Chung, co-sponsored by The Common.
The Trouble With Memoirs
“If you didn’t feel you were discovering something as you wrote your memoir, don’t publish it. Instead hit the delete key, and then go congratulate yourself for having lived a perfectly good, undistinguished life. There’s no shame in that.” Neil Genzlinger at the New York Times lays some ground rules for those compelled to write memoirs.
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Anxiety of Influence
“Cursed Child … is an act of overreach that feels mandated not by [J.K.] Rowling’s desire to fill out details but by an entertainment industry intent on reviving and rebooting anything that’s ever made money.” Sophie Gilbert reviews Harry Potter and the Cursed Child for The Atlantic.
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