Ron Charles, the WaPo’s fiction critic and the witty and winning originator of the “video book review” genre, gets profiled in Publishers Weekly.
“I run around my house with bacon on my head and Sam Tanenhaus is sending me notes.”
The 12th Caine Prize
NoViolet Bulawayo has won the 2011 Caine Prize for African Writing for her story “Hitting Budapest” (pdf).
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A Chinese Finnegan
“May God give me the courage to finish it:” The London Review of Books profiles one woman’s attempt to translate Finnegans Wake into Mandarin Chinese.
Recommended Reading: “Seven Days After Father”
Essay Liu‘s essay “Seven Days After Father” has been translated by Kevin T. S. Tang for Blunderbuss Magazine and presents a daughter’s sincere grief confused by custom. “‘The funeral director forbids tears as we approach your coffin, but demands that we weep on our return. This is the movie script we’ve been handed, one we’ll be beholden to for days, and I know that many things are not mine to decide anymore. Even our tears have been planned for us.”
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“An index also lays out the complexity of the book into pristine statements”
In a neat little essay for Vouched Books, Kyle Winkler advocates indexing as a means of tempering the “fuckstorm of reading.”
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100 Days that Changed Canada
Denise Donlon writes on the day MuchMusic rocked the tube. Peter Mansbridge details when baseball player Jackie Robinson broke the color barrier. And Conrad Black outlines a train trip by Canada’s first prime minister. Those are but a few of the essays by well-known Canadian personalities in the new book 100 Days That Changed Canada (HarperCollins Canada), now in stores.
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Down Goes the Stout
In what was surely one of the most fun experiments of all time, a team of Irish scientists have finally figured out why Guinness stout bubbles fall instead of rise.
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O Detroit
You may have heard that our own Bill Morris has a new book on shelves. He talked about it with fellow Millions staff writer and California author Edan Lepucki. At the LARB, Diana Clarke reviews the book, which she calls “a sharp critique of the contemporary American post-racial narrative,” among other things.
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