How can we not link to this? Mickey Hess creates a mock-Millions essay in refashioning Cathy Day’s essay about “the novel problem” in MFA programs as “The Light-Bulb Filament Problem: 7 Thoughts on Academia’s Sheet Metal Crisis.” Clever response to the ongoing MFA debate or just plain silly?
We might mock romance readers for how much Kleenex they go through, but they’re more emotionally perceptive than others. A new study on the interpersonal sensitivity of readers found that romance readers are better at discerning facial cues and emotion than other literati. But don’t worry if you aren’t a Nicholas Sparks fan; reading any genre makes you more empathetic, as we’ve reported on before.
Out this week: The Betrayers by David Bezmozgis; A Slip of the Keyboard: Collected Nonfiction by Terry Pratchett; Ballroom by Alice Simpson; Hello Mr. Bones & Goodbye Mr. Rat by Patrick McCabe; Rooms by Lauren Oliver; and How to Build a Girl by Caitlin Moran, who released an essay collection two years ago. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
If you know that Patricia Highsmith wrote The Talented Mr. Ripley, you know that she’s an exceptional authority on the workings of the criminal mind. At The Paris Review Daily, Dan Piepenbring digs up an old interview with the author, in which she describes the act of murder as “the opposite of freedom.” You could also read Tana French on Highsmith’s Strangers on a Train.