“We live in the age of opinion — offered instantly, effusively and in increasingly strident tones. Much of it goes by the name of criticism, and in the most superficial sense this is accurate.” The New York Times approached six accomplished critics, Stephen Burns, Katie Roiphe, Pankaj Mishra, Adam Kirsch, Sam Anderson, and Elif Batuman to explain, in the spirit of Alfred Kazin, “what it is they do, why they do it and why it matters.”
Why Criticism Matters
Koestenbaum on Levé
Humiliation author Wayne Koestenbaum takes a page out of our own Mark O’Connell’s book to review Édouard Levé’s Autoportrait.
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Nothing Is Not Like Nothing
Robert Krulwich takes on two very different types of “nothing.” As he illustrates through the invocation of Willem de Kooning, Robert Rauschenberg, and outer space, “nothing” is a lot more complicated than you might initially believe.
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He Linked To A Site That Wasn’t Literary. What Happened Next Will Shock You.
OK, it’s not exactly “literary,” but nevertheless I promise that “Upworthy Springfield” is worth your time.
Late American Novel Roundup
Coverage of The Late American Novel: Writers on the Future of Books (do you have your copy yet?) has been coming in at a steady clip: NYC publication CityArts takes a look; yours truly interviewed on The Marketplace of Ideas; Edward Champion offers a hasty response; the my co-editor sits down with his hometown paper.
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Action!
Recommended Reading: This lengthy piece from The New York Times on the history of Yiddish theater from schtick to stardom.
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Who You Calling “Late,” Buddy?
Behold the launch of Bloom, a fabulous new website (founded by our own Sonya Chung) that pays attention to older writers who meet her definition of “Late Bloomers.” (In case you’re wondering, the site spun off from our own Post-40 Bloomers series).