“We live in the age of opinion — offered instantly, effusively and in increasingly strident tones. Much of it goes by the name of criticism, and in the most superficial sense this is accurate.” The New York Times approached six accomplished critics, Stephen Burns, Katie Roiphe, Pankaj Mishra, Adam Kirsch, Sam Anderson, and Elif Batuman to explain, in the spirit of Alfred Kazin, “what it is they do, why they do it and why it matters.”
Why Criticism Matters
Exercises in Style
Scott Esposito has rounded up some fabulous Oulipo resources over at his blog, Conversational Reading.
E-Books Rise Up
Are e-books more than just a publishing platform? Could they be "a whole new literary form"?
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Bright Lights, Big Themes
A lot has already been said about Nicolas Winding Refn's newest and arguably most provocative film, Neon Demon. At The Rumpus, Jeffery Edalatpour examines beauty and its extremes, and also asks a couple questions of the director, himself: "Refn has revised the mythology of Aphrodite; she dons as much armor as Athena, enjoying nothing but the hunt. When I asked the director if he could cite any visual influences, his flat affect implied disdain for my simplistic question: 'I just photograph what I find interesting. I believe that women are more powerful and more interesting than men. It’s just very much what I like to fantasize about.' Fair enough."
Paradox of Choice
Despite the "grotesquerie of courtship rituals" they present, Roxane Gay enjoys watching The Bachelor and The Bachelorette, in part because, as she explains, they hearken back to America's Puritan origins. In The New York Times, the essayist, novelist and Year in Reading alum reflects on a guilty pleasure.
I’m Sorry?
In his review of Mike Goldsmith’s Discord and Katherine Bouton’s Shouting Won’t Help, Roger Clark Miller (of Mission of Burma) wonders how our world got louder. His analysis? Our use of loud noise as a weapon had something to do with it.
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Scribblenauts
In a digital age, what’s the point of handwriting? It may seem like there isn’t much point to honing one’s penmanship these days. In Hazlitt, Navneet Alang suggests that handwriting, far from being a lost art, is in fact a “useful alchemy” that retains particular uses. You could also read our own Kevin Hartnett on writing by hand.
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Moneyball Movie Back on Track
The embattled film version of Michael Lewis' baseball bestseller Moneyball, once set to be directed by Steven Soderbergh, is now back on track with Bennett Miller, director of Capote, set to helm. Brad Pitt is still lined up to play Oakland A's G.M. Billy Beane.
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