“We live in the age of opinion — offered instantly, effusively and in increasingly strident tones. Much of it goes by the name of criticism, and in the most superficial sense this is accurate.” The New York Times approached six accomplished critics, Stephen Burns, Katie Roiphe, Pankaj Mishra, Adam Kirsch, Sam Anderson, and Elif Batuman to explain, in the spirit of Alfred Kazin, “what it is they do, why they do it and why it matters.”
Why Criticism Matters
Collapsing Genre
“The clash of genre values is fundamental to the novelistic experience. That’s how we ought to be thinking about our books. Instead of asking whether a comic book could be “as valuable” as King Lear, we ought to ask how the values of tragedy and romance might collide.” Joshua Rothman writes about the coming “collapse of the genre system” and our own Emily St. John Mandel‘s National Book Award short-listed Station Eleven for The New Yorker.
●
●
Leave It To TV
Recommended Reading: this piece from Electric Literature on how 80s television broached topics that we’re still afraid to talk about today. Here’s a bonus piece on reality television, as well.
●
●
Jesmyn Ward Two-fer
Electric Literature’s posted a story by Jesmyn Ward, author of the reigning National Book Award-winning novel Salvage the Bones, as part of their ongoing Recommended Reading series. It’s worth checking out. Likewise, I recommend getting your hands on the latest issue of Oxford American so you can check out Ward’s inaugural “Native Daughter” column.
●
●
That Title Alone Deserves A Groan
A decade in the making, Val Kilmer’s one-man play about Mark Twain, Citizen Twain, will finally open this weekend. The Hollywood Reporter caught up with the actor (at a cemetery?) to talk about “his career and the landscape of America.”
●
●
Amor Amphibii
We submit that beginning a love story with the lede “I never intended to get a tortoise” pretty much guarantees that the reader will read to the end. In Sunday’s New York Times Style section, Caroline Leavitt puts our theory to the test. (If you like her essay, you might want to pre-order her new novel.)
●
●
Irony and Equanimity
Recommended Reading: Critic James Wood for the New Yorker on one of the most significant literary heroes of the Holocaust, Primo Levi. The three-volume Complete Works of Primo Levi is out this week.
●
●
The Mind Reels
Alcohol. Promiscuity. LSD. All three are said to inspire creative minds. And if Sarah Dunant’s well-researched new novel, Blood and Beauty, is credible, we can add a new one, syphilis, to the list. (Wait, what?)