At Jacket Copy, Carolyn Kellogg has coffee with Thomas Pynchon–well, not exactly…
In an interview with Big Think back in 2008, David Remnick said of Philip Roth that the writer “would have been my father had Philip Roth not been a literary intellectual but rather an orthodontist in North Jersey.” At The New Yorker’s website, Remnick eulogizes Roth’s work upon his retirement. (Keith Meatto did the same thing for us.)
Jonathan Franzen knows a lot about birds. The novelist competed on Jeopardy’s “Power Players Week” alongside Chuck Todd and S.E. Cupp as part of a variation on the Celebrity Jeopardy theme. Franzen flubbed a few questions about Shakespeare which, ironically, served to help dispel some of the “old curmudgeon” reputation that has followed him for years. This piece from The Millions on the case for non-Ikea writing in the Age of Franzen might interest you.
In the latest issue of The Walrus, Casey Plett reads a number of books involving transgender people, critiquing several aspects of their depictions. Along with the essay, she provides a list of transgender novels everyone should read, including Nevada by Imogen Binnie and Wanting in Arabic by Trish Salah.
We all probably had the humiliating experience of reciting a poem in high school. Yet at Salon, Nina Kang believes that memorizing poetry is a lost art. She blames the loss of the discipline on our tendency to skim and new poetry’s seeming aversion to memorization. “Writers actively fight against the appearance of artifice, and often instead strive for an informal, offhand tone, with that hint of clumsiness that lends a certain authenticity to the voice. It turns out this is a quality that makes the reciter’s job that much more difficulty.” Here’s our take on the lost art of recitation.