“As young writers in Balzac walk around Paris pitching historical novels with titles like The Archer of Charles IX, in imitation of Walter Scott, today an aspiring novelist might seek his subject matter in a neglected corner or along some new frontier of neurology.” Marco Roth questions the rise of the “neuronovel” at n+1.
Recommended Reading: Nathaniel Rich discusses Stephen Wright’s Meditations in Green, which he says is remarkable because “it convinces you that the war never ended.” Indeed, Rich writes, the author’s debut novel “suggests that Vietnam at some point transcended the Indochina peninsula and became a mental condition, a state of being not unlike certain forms of insanity, that has become encrypted in our genetic code.”
Meet Ant-Roach, an inflatable clackety six-legged robot with a protruding proboscis whose goal is to demonstrate the high strength-to-weight ratios of inflatable platforms. Can we say kid’s birthday parties?
“These stories feature hookups and breakups, substance abuse, and violence so casual it’s as natural as jagged breathing.” Electric Literature has an interview between flash fiction author Len Kuntz and critic and writer David Galef, whose Brevity: A Flash Fiction Handbook was just published by Columbia University Press. The two discuss the state of short fiction, their favorite one-line stories of the year, and how, even in the briefest of narratives, readers should still “feel a connection to the story and characters.” For more ultra-lean tales, see our own Emily St. John Mandel‘s review of Hint Fiction, an anthology of 25-words-and-under short stories.
Maybe the real reason I like Jennifer Egan is that there are so many freckled protagonists in her books. Patricia Zohn at the Huffington Post asks the author about her family, parenting, and her writing obsessions (like freckled faces). She even gets a photo of Egan as a teenager!