“As young writers in Balzac walk around Paris pitching historical novels with titles like The Archer of Charles IX, in imitation of Walter Scott, today an aspiring novelist might seek his subject matter in a neglected corner or along some new frontier of neurology.” Marco Roth questions the rise of the “neuronovel” at n+1.
“Thus it is our [feminists’] historical task … to define what we call oppression in materialist terms, to make it evident that women are a class, which is to say that the category ‘woman’ as well as the category ‘man’ are political and economic categories, not eternal ones.” This essay in remembrance of Alexis Arquette touches on everything from VIP guest lists to feminist theorist Monique Wittig.
In the New York Times, Mokoto Rich highlights the superfluousness of book covers in the digital age and the marketing challenges that result. cf. “Ether Between the Covers: Gifting Books in a Digital Age.”
In 1993, River Phoenix was working on Dark Blood, an independent film that was supposed to be the underdog surprise of the year. But when Phoenix died three weeks before shooting was supposed to wrap, the project stopped in its tracks. Now, almost 20 years later, the original director and editor are piecing the bits together, and they plan on screening it at the Netherlands Film Festival in September.