Farrar, Straus & Giroux will team up with GQ for something called “The Originals Series.” The series, as stated in a blog post from FSG’s digital marketing manager, will consist of “authors and musicians in conversation, hosted by David Rees (Get Your War On, Artisanal Pencil Sharpening, Kale City), in an intimate West Village loft space. We’ll film each event and edit it down to a compelling short film for broadcast online.” You can RSVP to the November 8th kick-off, which features John Jeremiah Sullivan and the Brooklyn-based band Caveman, here.
Out this week: Modern Lovers by Emma Straub; Some Possible Solutions by Helen Phillips; The Gallery of Lost Species by Nina Berkhout; Robert Parris Moses by Laura Visser-Maessen; Hot Little Hands by Abigail Ulman; and The View from the Cheap Seats: Selected Nonfiction by Neil Gaiman. For more on these and other new titles, go read our Great 2016 Book Preview.
The Great Gatsby debuted in 1925 to poor sales and mediocre reviews. So how did it become one of the most famous novels in America? At Slate, Cristina Hartmann explains how Fitzgerald’s opus, which netted the author royalties worth a grand total of $13 in his lifetime, went on to become a classic. Related: our own Bill Morris on a book about the novel by Sarah Churchwell. (h/t The Paris Review Daily)
Recently, we featured five writers’ reminisces about the novels they ultimately shelved. Here a sixth, Elmo Keep, explains what led her to throw away her first novel, quite outside considerations of craft:”I could not resolve the conflict of a story that was not mine.”