If you or someone you love has ever mentioned a McSweeney’s article to sound cool, you’ll feel right at home in this clip from IFC’s new show, Portlandia, in which Fred Armisen and Carrie Brownstein skewer Portland’s bookish hipsters.
Christopher Higgs was teaching Grace Krilanovich’s The Orange Eats Creeps, and one of his students was inspired to make a mixtape featuring “the twisted, crusty, and often sublime characters found within the novel.” (The book, by the way, was one of my selections for Year in Reading last year.)
After the passing of Gabriel García Márquez, the team of Reed Johnson, Juan Forero, and Sara Munoz had cause to opine within the pages of the Wall Street Journal, who are the other “post-boom Spanish-language fiction writers whose works continue to redraw the map of Latin literature?” They list six suggestions, but I think one of the names on that list would’ve disagreed with the comparison. (Bonus: An unpublished Márquez manuscript may be on the way as well.)
“Even though journalism is a good profession, for me it was very constraining. It focuses on the surface, banalities, events, and I wanted to spend a longer time talking to people in depth, and to ask them about truly important things, like love, death, and war.” This interview with Svetlana Alexievich at The Nation is fantastic. Check out our own profile/interview with Alexievich from earlier this summer.
Michael Seidlinger writes on how consciousness occurs online. As he puts it, “We have all become Sisyphus, pushing our rocks up a hill littered with hyperlinks and tweets, perpetually, futilely, refreshing the page of existence.” Pair with this Millions piece on the best of literary Twitter.