If you or someone you love has ever mentioned a McSweeney’s article to sound cool, you’ll feel right at home in this clip from IFC’s new show, Portlandia, in which Fred Armisen and Carrie Brownstein skewer Portland’s bookish hipsters.
New this week: The Best of McSweeney’s; a new e-book edition of Highway Trade by John Domini; and new paperback editions of Between Heaven and Here by Susan Straight and Samuel Johnson is Indignant by Lydia Davis. (You could also read Susan Straight’s Millions essay on Toni Morrison's Sula.)
One of the more common questions that comes up in The Nervous Breakdown’s self-interviews is what the subjects consider to be the hardest part of the writing life. The most recent edition sees Jac Jemc, whose latest came out last week, admit that time is what foils her: “Everything takes longer than I think it will, more drafts than I think it will.” This might be a good time to look back on some earlier examples of the form.
As of this morning, the 2014 IMPAC Dublin longlist is out, and the titles that made the final cut are an eclectic assortment. The Testament of Mary by Colm Tóibín (which we reviewed) made the cut, as did The Orphan Master's Son by Adam Johnson (which won the Pulitzer earlier this year) and Bring Up the Bodies by Hilary Mantel (which won the Booker Prize).
This past week at the LBC was a lot of fun. We discussed the book I nominated, The Cottagers by Marshall Klimasewiski. If you missed it, you should check it out, particularly Friday's podcast which includes an appearance by yours truly.In other podcast news, Ed, who is an accomplished podcaster, tried and failed to interview Marisha Pessl, author of Special Topics in Calamity Physics, for his show. Callie also had some thoughts on Pessl, as did CAAF.Fresh off of declaring that the typical litblogger is "some guy sitting in his basement in Terre Haute," Richard Ford will see his Bascombe trilogy turned into an HBO mini-series (via Scott). Litblogger Noah gave Ford's Lay of the Land a good review last year, but for all Ford knows, Noah was writing from here.Scott looks at Dave Eggers' What is the What and ponders how atrocity is portrayed in fiction.