The Chronicle of Higher Education analyzes three short stories by Zora Neale Hurston never before reprinted.
“New” Zora Neale Hurston
Did You Say Paid?
“It is intended to attract candidates who otherwise would not have access to publishing, and to therefore increase the diversity and inclusivity of the industry.” Indie publisher Graywolf Press is offering a paid, 10-month internship “designed to support a person who is interested in learning more about the publishing industry through an introductory, hands-on experience.”
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NBCC Award Winners Announced
The National Book Critics Circle Awards were announced last night, and the winners might be familiar to Millions readers: last year, our own Matt Seidel reviewed fiction prize winner The Sellout, and the Football Book Club read Maggie Nelson’s winner in the criticism field, The Argonauts. Head on over to The Guardian for more details.
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Just Another Mason
In general, we think of translators as people whose job, briefly summarized, is to create elegant texts out of works in foreign languages. But J.R.R. Tolkien, in his translation of Beowulf, set out to do something different. The Lord of the Rings author published a translation that he kept intentionally clunky. Why? In his telling, he did it to better imitate Old English.
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Where Glowsticks Are Currency
In this month’s issue of GQ, exemplary road-tripper Gideon Lewis-Kraus (of A Sense of Direction fame) pays a visit to the Electric Daisy Carnival, where the raves of the ‘90s have yet to go out of fashion.
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Elena Ferrante Revealed
Elena Ferrante has revealed her true identity. At McSweeney’s. You could also read this piece on Ferrante’s “encompassing vision of human experience.”
“In such circumstances, how could there fail to be a swarm of ghosts?”
Recommended Reading: People Who Eat Darkness author Richard Lloyd Parry’s stunning essay on Reverend Kaneda, a Japanese monk performing exorcisms to solve his region’s “ghost problem.”
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William Gibson’s Zero History
The New York Times reviews William Gibson’s new novel Zero History: “To read Gibson is to read the present as if it were the future…” Also: Douglas Gorney interviews Gibson for the Atlantic.