Version 2 of McSweeney’s quirky iPhone app includes an ebookstore with custom-designed ebooks. “Whereas most ebooks have weird line breaks, stretched type and clunky fonts, ours are actually designed so they look just as they do in print – clean and beautiful.”
"I am worried about the implications of throwing the label 'women’s pain' around individual experiences of suffering, and I am even more uncomfortable with women who feel free to speak for all women. I worry about making pain a ticket to gain entry into the women’s club. And I worry that the assumption of vulnerability threatens to invigorate just the sexist evils it aims to combat by demanding that men serve as shields against it." In an essay for the Boston Review, Jessa Crispin shares her concerns about the "wounded women" trend in literature right now, citing Leslie Jamison's The Empathy Exams and Roxane Gay's Bad Feminist as well the Twitter campaign #yesallwomen as particular examples. Pair with Ryan Teitman's Millions review of The Empathy Exams.
"I worry that people in the city where the novel is based will take issue, all kinds of issue, with it. I worry that readers will be like who cares." Here are all the things you should be worried about while working on a novel, helpfully brought to light by Susannah Felts at The Literary Hub.
It's a big week for fans of literary fiction, with new books by a pair of heavyweights: Generosity by Richard Powers and Her Fearful Symmetry by Audrey Niffenegger. There's also a new (and massive) collection of stories from Lydia Davis. Nick Horby's newest, Juliet, Naked is out. Finally, Bukowski fans may be pleased to find a new book of never-before-collected poems, and R. Crumb fans have no doubt been waiting for his Book of Genesis to hit shelves.
With his black turtleneck, wire-rimmed glasses and conspiratorial grin, Steve Jobs was arguably the best ambassador ever between androids and humans.
Have we entered into the age of New Modernism? Better yet, what does “New Modernism” even mean? Let regular Millions contributor Jonathan Russell Clark explain it to you in his essay for LitHub on George Saunders, Alexandra Kleeman, and experimental feeling. This Millions review of Gabriel Josipovici’s What Ever Happened to Modernism? is particularly relevant.