Word is there have been sightings of the book I co-edited The Late American Novel: Writers on the Future of Books in the wild, though it’s officially due in March. You can keep up on all the news about the book, including events and links to excerpts on the book’s new Facebook page.
“In 2007, five out of the 10 best selling novels in Japan were originally mobile phone novels,” reports Olivia Solon. (In 2008, we published a translated excerpt of one.) Now Movellas has emerged as a new platform for Keitai Shousetu, or literature designed for mobile devices.
“I think you are abusing your power, and I find it hard to believe that you have thought it through thoroughly.” Norway’s largest newspaper, Aftenposten, has published a front-page letter to Mark Zuckerberg after Facebook censored an iconic image from the Vietnam war. The Pulitzer Prize-winning photograph of a naked nine-year-old Kim Phúc running away from a napalm attack was deleted from a post about seven images “that changed the history of warfare.”
Eric Harvey presents The Social History of the MP3 at Pitchfork: “So omnipresent have these discussions become, in fact, that it’s possible the past 10 years could become the first decade of pop music to be remembered by history for its musical technology rather than the actual music itself.”
From Hunger Games‘s Katniss to Divergent‘s Tris, today’s YA heroines are confident, intelligent, powerful, and always skinny. At The Atlantic, Julianne Ross argues that this scrawny stereotype ends up belittling the heroines’ independence and strength. “Just as women are expected to be sexual but not slutty, pure but not prudish, heroines should be strong but not buff.”
Yesterday we noted that The Pale King is now available for pre-order. It turns out another new David Foster Wallace book will be out before the long-awaited final novel hits shelves. In December, Columbia University Press will put out Wallace’s undergrad thesis Fate, Time, and Language: An Essay on Free Will. From the publisher description: “Long before he probed the workings of time, human choice, and human frailty in Infinite Jest, David Foster Wallace wrote a brilliant philosophical critique of Richard Taylor’s argument for fatalism. In 1962, Taylor used six commonly accepted presuppositions to imply that humans have no control over the future. Not only did Wallace take issue with Taylor’s method, which, according to him, scrambled the relations of logic, language, and the physical world, but he also called out a semantic trick at the heart of Taylor’s argument.”
Book lists galore: The Believer announces its annual book award winner, along with the always eclectic reader survey results; Forty of Nick Hornby’s favorite books – he thinks you’ll like at least a few; You may not be able to register for Zadie Smith’s fiction seminar, but you can read the same books.Rushdie considers the art of the adaptation.And so it came to pass: the “pay what you want” eBook.A comic-book map of New York.Emily Bobrow digs Leanne Shapton’s brains……where certain other reviewers the VQR could name might get hung up on her jacket photo.Whose tweets are these? I think I know.Tom McCarthy and the lovable lads of the International Necronautical Society are at it again.The Reagan diaries offer “scrupulous, concise, often remarkably good reading,” says Open Letters Monthly.Anne Trubek at Good Magazine (and Oberlin College professor!) on “What is a Book?“Paul Maliszewski at Bookslut on “What is a Fake?“New features for the Kindle.We’re digging the cover for Colson Whitehead’s forthcoming novel, Sag Harbor.Wikipedia find of the week: Fakelore: “Fakelore is inauthentic, manufactured folklore presented as if it were genuinely traditional.”Murakami’s uneasy relationship with Japan: “He has been seen, and to some degree positioned himself, as a literary pariah in Japan, in part because of its tepid-to-negative critical reception of his work.”Further reading: Check out the interesting Kindle pro and con in the comments of Max’s Kindle/iPhone post this week; And check out the interesting discussion of the New Yorker’s commitment (or lack thereof) to international literature in the comments of Garth’s DFW post.And finally, a concrete step toward breaking our addiction to foreign oil.