Reif Larsen’s “The Crying of Page 45” appears in this month’s issue of The Believer. This clever, inventive essay is excerpted from the book I co-edited The Late American Novel: Writers on the Future of Books. You can get a taste of the piece at The Believer website, but the full essay in all its illustrated glory is available in the print magazine as well as in, of course, the book.
Overt at JSTOR Daily, Allana Mayer writes about visual literacy in the age of the Internet. As she explains it, “We have similar stories all throughout history: the moment when a perception—whether a literal way of seeing or a figurative mode of thinking—is assaulted and fundamentally shifts.” Pair with our own Bill Morris’s piece on the new Whitney Museum.
Photographer Rose-Lynn Fisher uses powerful scanning electron microscopes to provide “an unexpected view of [a] familiar subject: … human tears.”
How did Ian Fleming come up with James Bond? It’s easy to think, considering the political context of his era, that Fleming tailored his superspy to be the ideal hero of the Cold War. Yet there’s another, more prosaic explanation — was the author simply having a midlife crisis?
“[T]he term was first recorded in 2012, but its use increased significantly during the federal election this year, especially with the popularity of several websites set up to help voters find polling stations with sausage sizzles.” Australia’s word of the year is “democracy sausage,” reports The Canberra Times. Other national choices, according to Mental Floss: postfaktisch, or “post-truth” in Germany, and the 52-letter-long Bundespraesidentenstichwahlwiederholungsverschiebung, or “postponement of the repeat runoff of the presidential election” in Austria.