According to Slate: “Typing two spaces after a period is totally, completely, utterly, and inarguably wrong.”
“Mario purchased pickup trucks from which he removed panels and lights. The trick was packing the drugs in a part of the vehicle where the body wouldn’t lose its hollow sound when slapped.” These two sentences just got author Dan Slater‘s new book Wolf Boys banned from Texas prisons, inadvertently calling attention to Banned Books Week. Pair with two of our essays about controversial reads.
In the past ten years, we’ve seen many attempts to construct a taxonomy of the hipster, which is why it’s refreshing to come across a novel account of the term’s origins. At The Atlantic, Karen Swallow Prior makes a convincing case that T.S. Eliot, in The Love Song of J. Alfred Prufrock, invented the “cuffed-trouser urbanite on the hunt for authenticity.”
The Republic of South Sudan has declared independence. Just three years ago, Dave Eggers published Out of Exile: Narratives from the Abducted and Displaced People of Sudan (Voice of Witness). The Guardian has an excerpt. A year later, Jamal Mahjoub foresaw the secessionist fervor south of Darfur.
Word came out yesterday that Jonathan Galassi and Year in Reading alum Mona Simpson will join the Paris Review editorial board. Former editors both — Galassi edited the magazine’s poetry, while Simpson edited its fiction — the two will join Rose Styron, Jeffrey Eugenides and other notable figures on the board. Simpson also has a new novel coming out in April.
Does a writer need a devoted spouse to be prolific? At The Atlantic, Koa Beck examines the concept of having a do-it-all partner like Vera Nabokov and if this traditional gender role only harms female writers. Koa interviews various writers, from Emma Straub to Ayelet Waldman, on how their literary partnerships work. “I’d fantasized that being his Vera was a way for me to deal with being stuck as a stay-at-home mom—I’d subsume my own ambitions into something ‘greater!’ But that lasted about 48 hours,” Waldman said.