According to Slate: “Typing two spaces after a period is totally, completely, utterly, and inarguably wrong.”
How Many Spaces After A Period?
Hustle and Flow
"Notice how Malbecco, as Gelosy, lives outside of time, a death-in-life: he can 'never dye, but dying lives.' In other words, embrace a quality entirely—even, I would argue, a less pejorative quality, like hustle—and it overmasters you. You’re doomed." Rowan Ricardo Phillips, basketball columnist for The Paris Review, on Edmund Spenser, hustle, and the New York Knicks.
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Try to define the word “poetry” and you’ll quickly find yourself in a maze of contradictions. It refers, most obviously, to printed verse, but it can also refer to especially lyrical prose, among other things. At The Paris Review Daily, Damian Searls uses etymology to get some answers. Related: Kate Angus on loving poetry but not poetry books.
Party in the City Where the Book Fair’s On
South Florida readers! Assuming you’re done voting by now, you should make next week’s Miami Book Fair International a priority. Afterward, you can go celebrate thirty years of Books & Books, the jewel of Coral Gables. (And perhaps to warm up for it all, you can read my review of Tom Wolfe’s Back to Blood.)
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Au Revoir, Harry
While we're on the subject of Harry Potter, I have some bad news. According to J.K. Rowling herself, Cursed Child is likely the last we'll ever see of the boy (now middle-aged) wizard: "He goes on a very big journey during these two plays and then, yeah, I think we’re done. This is the next generation, you know ... So, I’m thrilled to see it realized so beautifully but, no, Harry is done now.”
Recommended Reading: Rose McLarney
Recommended Reading: The Missouri Review's poem of the week is Rose McLarney's "Arcadia" from the fall 2013 issue. "It’s the feeling of the inquiry, 'Don’t I know you from somewhere?,' a traveler gets when she walks into a new place and still, somehow, recognizes a quality in a face, or can somehow hum a refrain in an otherwise strange song," she writes about her poetry.
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Emily Gould and Tao Lin Make a Salad
Emily Gould awkwardly prepares a salad with Tao Lin in the latest installment of Cooking the Books. (via The Awl)
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Some of us knew that sooner than others. Old habits die hard, especially ones for which the practitioners cannot give a good justification, likely since they’ve never considered their automatic and unconsidered adherence.
Well… not quite “totally, completely, utterly, and inarguably.” The “two spaces” rule was adopted with the advent of the typewriter. It helped, along with various punctuation marks, to set off the end of one sentence from the beginning of the next as a reader scanned the words. This was needed because typewriters for decades created what’s called “monospaced” printing. Each character occupied the same amount of space on the line. Most of the time, that was either 1/10 or 1/12 of an inch. This was unnatural for the reader. Hand writing is not monospaced, nor is type that is set for books and magazines, where the rule is one space between sentences.
Nowadays, though, many people’s printed words are in typefaces that use what’s called “proportional” spacing (this blog is one of them), so, in those cases, one space is correct. However, if you are certain that your words will be sent out to the world in monospaced type (and there are still a few places like that out there, even on the web), then using two spaces would not be inappropriate. After all, anything that makes it easier for the reader to read your words is a good thing.
I mean, that’s the point, isn’t it?
Peter, that’s precisely right! Perfect.
I can’t believe how much coverage this silly Slate article has gotten. It’s the same sort of prideful ignorance, bolstered by selective citation, that it’s supposedly dethroning.