“Dear Marlon, I’m praying that you’ll buy ON THE ROAD and make a movie of it….You play Dean and I’ll play Sal… I’ll show you how Dean acts in real life, you couldnt possibly imagine it without seeing a good imitation…” From a letter from Jack Kerouac to Marlon Brando. (via The Rumpus)
From Kerouac to Brando
What Really Happened in the 1980s
Recommended: Meagan Day on Joan Didion’s essay “In the Realm of the Fisher King,” which you can find in Didion’s collection After Henry.
Tuesday New Release Day: Marías; Nao; Lawson; Murray; Luce; Hoffman; Ashbery
Out this week: Thus Bad Begins by Javier Marías; Fish in Exile by Vi Khi Nao; Virgin and Other Stories by April Ayers Lawson; Valiant Gentleman by Sabina Murray; Pull Me Under by Kelly Luce; Faithful by Alice Hoffman; and Commotion of the Birds by John Ashbery. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
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Matthew Salesses Interviewed
Get to know Matthew Salesses, whose story “High Schools, or How to Be Asian American” we shouted out a few months back.
Do You Eat Pork?
And now, a little bit about a world you might be totally unfamiliar with; this piece from The Rumpus is a fascinating, in-depth look at identity politics and eating pork in the Chinese borderlands. Bonus: a complementary piece about what it’s like to be a Chinese-American writer living in china.
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TQC Launches E-Book Series
The Quarterly Conversation is kicking off its new “Long Essays” e-book series with Lady Chatterley’s Brother: Why Nicholson Baker Can’t Write About Sex, and Why Javier Marias Can.
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Whatever I choose is cool because I am cool.
The Rumpus has an interview up with Ann Friedman, executive editor at GOOD, and curator of the beloved tumblogs Lady Journos and #realtalk From Your Editor.
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Reclusive Reading
Emily Dickinson didn’t get out much, so why should we have to in order to read her work? Her open access manuscripts, letters, and envelope scribbles are now available online in the Emily Dickinson Archive. But now there’s controversy over who is the rightful owner of her manuscripts and who should shape the archives — Harvard or Amherst?
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