At The Collagist, Kyle Beachy imagines the emperor Augustus saying to the poet Horace, “You and your kind are fucked!” “The Extent of Our Decline” is one of number of essays appearing in the collection I co-edited, The Late American Novel: Writers on the Future of Books, coming in March from Soft Skull.
Right on the edge of Banned Books Week, Rainbow Rowell discusses when Minneapolis's Anoka-Hennepin school district, the county board, and the local library board censored her from coming to speak about her YA novel Eleanor & Park. "When these people call Eleanor & Park an obscene story, I feel like they’re saying that rising above your situation isn’t possible," she says.
“As employers cut down on benefits and flexibility, more and more people, especially parents and those with chronic illnesses or disabilities, are getting squeezed out of ‘regular’ workplaces and into the freelance economy. What they find there is a whole new labor market that comes with a fresh set of obstacles—and some benefits, too.” On how companies and labor policy push women toward freelancing.
A couple of weeks ago, I pointed readers to the trailer for Olive Kitteridge, the new HBO show based on the Pulitzer-winning novel by Year in Reading alum Elizabeth Strout. In this week’s New Yorker, Emily Nussbaum sizes up the new series, describing it as a case study in bringing a work of fiction to the screen. “In the course of four hours, the miniseries casts a West Coast spell on scenes of Yankee repression,” she writes.
In 2006, the National Library of Norway enacted an ambitious plan to digitize every book in its holdings by 2020. The idea is that all of the content (even works under copyright) will be accessible to people logging into the system with a Norwegian IP address.