At The Collagist, Kyle Beachy imagines the emperor Augustus saying to the poet Horace, “You and your kind are fucked!” “The Extent of Our Decline” is one of number of essays appearing in the collection I co-edited, The Late American Novel: Writers on the Future of Books, coming in March from Soft Skull.
“It’s funny how as an author, I rarely notice what seems so obvious to other people: that I have obsessions and will write about them endlessly. Sad, lonely, self-loathing guy? Mid-20th and 21st century literature loves to write about that guy, and so do I. Reckless, self-aggrandizing, narcissist man? I like to write about him, too, though of course they are the same person. A person whose energy compels people to orbit him—family, friends, underlings, women.” The Rumpus talks with Woke Up Lonely author Fiona Maazel (who’s written for The Millions).
Ever wondered how the fact-checking process works? Well wonder no longer. The Columbia Journalism Review posted an excerpt from their recently published Art of Making Magazines collection, and it explains The New Yorker’s workflow as well as the perils of “Shoot-the-Fact-Checker Syndrome.”
“America has always been built—and continues to be built—by those the establishment keeps invisible.” Public Books runs the sixth installment of its “An Engineer Reads a Novel” series, this time taking on Colson Whitehead‘s Underground Railroad and John Henry Days. We also recently reviewed the former, which has been blessed by both Oprah Winfrey and President Obama.
Last week, I wrote about the new Philip Marlowe novel by Benjamin Black, aka Year in Reading alum John Banville. Over the weekend, Banville published an essay in The Guardian about writing the iconic character, whom he describes as “one of the immortals.”