“The [book] review’s pre-eminence is irrefutable: most people are acquainted with far, far more books through reviews than they could ever hope to read. And that is, generally, to the good.” Joseph Mackin explores why we write and read book reviews for the New York Journal of Books.
What We Talk About When We Talk About Books
“I was going to be an essayist, and it was going to be awesome.”
Nonfiction writing might work wonders for history books, but the heart of the genre is still the essay. In a piece for The Morning News Martin Connelly discusses his youthful resolution to be an essayist, which he quickly forgot and then gradually remembered. There are also ironic license plates, convicts and a baby, just to jazz everything up a little bit.
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On Bad Reviews
Recommended (Archival) Reading: “The language is too rich and poetic for my liking” and other gems from Amazon one-star reviews of classic novels, dredged up in 2014 by Electric Literature. Pair with the worst book review ever written.
My Dear Antlers
Ladette Randolph began the Writers and their Pets series on the Ploughshares blog in large part to celebrate her beloved dog Sally. It didn't take long, however, for the series to expand, which eventually led to this week’s entry about Nina Mukerjee Furstenau’s pet elk.
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Little Emotions in the Person
Recommended Reading: On Laura Ingalls Wilder's Little House on the Prairie and the art of hiding one's feelings -- whether helpful or detrimental.
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We Have the Technology
At The Awl, James S. Murphy goes in-depth on the Stony Brook study, which I wrote about last week, that identified characteristics of historically successful books. In making a point about the publishing industry, he references the sale of our own Garth Risk Hallberg’s debut novel.
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Cerebral Los Angelenos
Who says L.A. can't be bookish? (Ok, I say that a lot.) But here to prove me (and you) wrong is next week's calendar events for cerebral Los Angelenos. On the "books?": Amiri Baraka, Joan Didion, and Jonathan Lethem, just to name a few.
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