Tuesday New Release Day

Sometimes the most important issues are the most difficult to discuss. While a conversation about diversity in literature has started, The New Republic asks us why socioeconomic status is often left out of the conversation. Our essay on the rise and fall of the creative class pairs nicely.

The newest issue of Granta features some seriously captivating work, like this poem by Juliana Spahr and this story by Lorna Gibb, among many others. This “Possession” issue pairs well with an essay by our own Lydia Kiesling on possessing one’s own words and the narrative potential of leaked emails.

“The most important year of life. Every emotion and my life work decided. Miserable and ecstatic but a great success.” What F. Scott Fitzgerald wrote in his financial ledgers the year he married Zelda Sayre and sold This Side of Paradise.

The Christopher Hitchens memoir, Mortality, a collection of essays based around the final pieces he wrote for Vanity Fair, now has an official U.S. release date of September, and the U.K. release date has been moved to coincide with that.

Peter Jackson, beloved director of The Lord of the Rings movies, has turned his talents to an adaption of a very different book.  He has directed a film version of Alice Sebold‘s The Lovely Bones (see the trailer here), the story of a young girl who is murdered and looks down on her family and killer from heaven. Saoirse Ronan will play Susie Salmon, the novel’s heroine. Ronan is perhaps making a career of cinematic adaptions of novels–she was nominated for an Oscar for her performance as Briony Tallis in last year’s film version of Ian McEwan‘s Atonement. Susan Sarandon, Rachel Weisz, and Stanley Tucci also star.