Rachel Rosenfelt, Editor in Chief of The New Inquiry, gets interviewed by Evan Kindley, Managing Editor of the Los Angeles Review of Books. In their conversation, Rosenfelt reveals that TNI‘s prevailing editorial principle is: “Is this boring? Is this safe? If the answer is yes, then it’s not for us.”
A new anthology out from Da Capo Press, Bound to Last: 30 Writers on Their Most Cherished Book, includes an essay by David Foster Wallace’s widow, Karen Green, on how books helped her cope with his death: “I’ll try not to use the word survive. I think I’ve determined, by trial and error, that certain underlined, highlighted, and dog-eared books, in conjunction with pharmaceuticals, are beneficial after a trauma. What was it the realtor called it? ‘The Incident.’ Books can be helpful after an Incident.” (Thanks, Diavanna)
“I’m a writer through and through, but the art world—to a large extent—provides the arena in which literature can be vigorously addressed, transformed, and expanded.” Frederic Tuten interviews Tom McCarthy about the overlap between the visual arts and literature, the importance of reading, and living, voraciously, and the power of Finnegans Wake for BOMB Magazine. Pair with our own Nick Ripatrazone‘s review of BOMB: The Author Interviews.
Learn more about Hans Christian Andersen Award winner Cao Wenxuan. “China has given us so many heartbreaking stories. How can you avoid writing about them? I can’t sacrifice my life experience in order to make children happy.” Pair with Edan Lepucki’s piece on the grown-up counterparts to children’s stories.
For The Guardian, Rafia Zakaria writes on the new wave of confessional “feminist” memoirs. As she puts it, “We’re on an uncomfortable tightrope between a bold new dialogue about women and sex, and the monetisation of that conversation by powers that recognise that as a gap in the market.” Pair with this Millions essay on feminist pop anthems.