“Our catalogues cost £5,000 to print and distribute (in envelopes! with stamps!) to the 800 people on my mailing list, 790 of whom will not order from it.” Rick Gekoski at Guardian looks at the peculiar art (and commerce) of rare books catalogues.
“[T]here are no creative writing programs in Mexico, so people rely on the infinite patience of their friends.” Valeria Luiselli and Laia Jufresa, longtime readers of each other’s work, in conversation over at BOMB Magazine. See also: our review of Luiselli’s The Story of My Teeth.
“Why is love rich beyond all other possible human experiences and a sweet burden to those seized in its grasp? Because we become what we love and yet remain ourselves.” The remarkable love letters of Hannah Arendt and Martin Heidegger are both touching and predictably philosophical. Here’s a jarring, surreal reimagining of three works of Arendt’s over at 3:AM Magazine.
“I was being paranoid, but those of us who write memoirs should never underestimate the damage they can cause. I’ve seen close relationships rocked by a memoir. I’ve seen parents stop speaking to their children for years. Memoirs pose a natural threat to the family mythology, those portraits framed on the mantel piece that say everyone is happy and nothing is wrong.” Sarah Hepola asks her mother and father what it felt like to be portrayed in her memoir, Blackout.