“In this age of 140-character Twitter posts — not to mention a persistent undercurrent of minimalism in our literature — there’s something profoundly rejuvenating about the very long sentence.” From Hrabal to Joyce to Hugo, Ed Park explores the history of the literary long sentence.
Ujala Sehgal
is an associate editor for The Millions. She works for the New York Civil Liberties Union, the NY Chapter of the ACLU. She was formerly a writer for The Atlantic's news website The Wire, and a co-editor of NY media blog FishbowlNY. Her writing has appeared in The Millions, TheAtlantic.com, Newsday, National Journal, The Rumpus, and elsewhere, and is partly collected at her website, TheCivilWriter.com. Follow @ujalasehgal.