“I’ve never felt less self-consciously preoccupied with language than I did when I was writing Freedom.” Lorin Stein introduces The Paris Review’s new Winter issue, and includes excerpts from the Art of Fiction interview with Jonathan Franzen.
The Art of Fiction No. 207: Jonathan Franzen
Ten-Part Twitter Interviews with Sheila Heti
In a new ten-part Believer series, Sheila Heti is interviewing ten of her “favorite people on Twitter” so they can “talk about what they do on Twitter and why – their Twitter philosophies, their do’s and don’ts, and what they make of the medium in general.” Kicking off the series, we have Heti’s interview with Kimmy Walters, who you may know better as @arealliveghost. (You can bookmark this link if you want to keep track of all of the updates.)
Someone You’re Not
We’re all frauds on the internet! Ann Leary at The Literary Hub takes a look at why online relationships tend to falter in the “real world.” Here are a couple of complementary friendship-related essays from The Millions.
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The Voices Who Confided
Head over to The Literary Hub and take a look at this excerpt from Svetlana Alexievich’s newest book, Second-Hand Time, which has been called a “history of emotions” chronicling the demise of Soviet communism. While you’re at it, take a look at this Millions profile/interview with Alexievich from earlier this summer.
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Financing Cloud Atlas
The multinational production of the (Millions favorite) Cloud Atlas movie, “in all its glorious confusion, also serves as a guidepost to the future of the film business.”
A to the Future
We take it for granted that our language will grow and change. But one thing we think less often about is that our alphabet is subject to the same forces. Herewith, Carlos Lozada reads Michael Rosen’s new book Alphabetical, which delves into the origins and future prospects of our writing system.
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The White Knight
Ryan Topper writes for Public Books about Netflix’s Beasts of No Nation and rejects the white savior plot that characterizes many child-soldier narratives. Pair with Noah Deutsch’s Millions review of the novel on which the series was based.