My inner dramatist will have a debut outing at Sweet: Actors Reading Writers, Thurs. 12/2 at 7:30 pm, Three of Cups (First Ave at 5th Street, NYC). Actor Tonya Edmonds will perform an excerpt from my novel-in-progress, Sebastian & Frederick. Other featured writers: Ed Park, Amanda Filipacchi, Jonathan Dixon, Maya Pindyck.
Haruki Murakami’s love for jazz is no secret – he used to own a jazz bar, he’s written full essay collections on the music, and his books are peppered with references to jazz songs and musicians. How fitting, then, that there’s finally a playlist of jazz songs mentioned in Murakami’s writings. Pair with our many past essays on Murakami.
You can listen to Robert Kloss read from The Alligators of Abraham, which was released last Thursday from Mud Luscious Press. The author also composed a playlist to accompany his book. The gorgeous text has been receiving much-deserved advance praise, and it’s even borne a “series of texts – videos, art, stories, and more – written, filmed, cobbled together, and razed by different artists from around the literary world.”
Robert Darnton at the New York Review of Books considers the feasibility of creating a National Digital Library: “I know: the devil can cite Jefferson. Anyone can cull through the papers of the Founding Fathers in order to find quotations in support of a cause. But I can’t resist.”
Are you still not following Pentametron, even after I urged you to do so last week? (And even after New York Magazine added it to its Approval Matrix?) Well, if that’s the case, I shouldn’t even share Earwickr with you. You don’t deserve to read Finnegans Wake spelled out on your Twitter timeline, 140 characters at a time. (Bonus: Michael Chabon reviews James Joyce’s final work for The New York Review of Books.)
A couple weeks ago, Matt Ashby and Brendan Carroll argued in a Salon piece that David Foster Wallace, who wrote an essay about the television and irony back in the early ‘90s, presciently diagnosed the danger of snark in our own age. Now Peter Finocchiaro, a senior editor at Salon, argues instead that we need irony more than we ever have. You could also read A-J Aronstein’s notes from the DFW Symposium.