My inner dramatist will have a debut outing at Sweet: Actors Reading Writers, Thurs. 12/2 at 7:30 pm, Three of Cups (First Ave at 5th Street, NYC). Actor Tonya Edmonds will perform an excerpt from my novel-in-progress, Sebastian & Frederick. Other featured writers: Ed Park, Amanda Filipacchi, Jonathan Dixon, Maya Pindyck.
Is all publicity good publicity? Are all reviews—even bad ones—good for books? The answer, according to a new study [pdf] by the journal Marketing Science, depends on whether the writer is well known or unknown. The study examined the impact of a New York Times review on the sales of more than 200 hardcover titles. For books by established writers, a negative review led to a 15% decrease in sales. For unknown authors, a negative review increased sales by a healthy 45%.
Olivia Laing has written an entire book about male writers and their relationships with alcohol, The Trip to Echo Spring, but in a piece for The Guardian she returns to the subject of writers and drink in order to respond to the question, what about women writers? Were any of them alcoholics? “Yes,” she writes, “of course.” She goes on to discuss the lives and work of Jean Rhys, Marguerite Duras, Elizabeth Bishop and Patricia Highsmith, their reasons for drinking and their experiences in a society much more willing to accept the struggles of men than of women. For more from Laing, be sure to check out her Year in Reading for 2013.
Geoff Nicholson of the New York Times compares the rules of drinking and the rules of writing in light of the recent reissue of famous cocktail guide The Hour (with a new introduction by Daniel Handler, otherwise known as Lemony Snicket).