My inner dramatist will have a debut outing at Sweet: Actors Reading Writers, Thurs. 12/2 at 7:30 pm, Three of Cups (First Ave at 5th Street, NYC). Actor Tonya Edmonds will perform an excerpt from my novel-in-progress, Sebastian & Frederick. Other featured writers: Ed Park, Amanda Filipacchi, Jonathan Dixon, Maya Pindyck.
Sonya Chung at Sweet: Actors Reading Writers
Said the Gramophone
Over at Words Without Borders, Esther Allen considers how to translate a song. As she puts it, “A song that almost everyone in a given culture at a given moment knows is a unique cultural artifact, a crystallized collective experience, a profound trigger that sets off a complex string of shared emotions.” Pair with Magdalena Edwards’s Millions essay on songs as triggers.
What Is Grief?
“Is grief a condition of love? Does grief prevent us from making peace within ourselves and with each other?” For the Kenyon Review, Rosebud Ben-Oni writes on grief as waiting. Pair with Lidia Yuknavitch’s Millions essay on grief and art.
●
●
●
●
Bad Times
In her new book The Sixth Extinction, New Yorker staff writer Elizabeth Kolbert makes the case that we’re living in the sixth massive die-off of species in our planet’s history. Corraling evidence from zoologists, environmentalists and more, Kolbert argues that human activity is the cause of this latest event. In a review over at Vulture, Kathryn Schulz writes that Kolbert “makes a page-turner out of even the most sober and scientifically demanding aspects of extinction.”
●
●
Should I stay or should I god-OH?
How do you pronounce the name of the titular character from Samuel Beckett’s play, Waiting for Godot? Is it GOD-oh or is it god-OH? Or is it a third variant altogether? While investigating the question for The New York Times, Dave Itzkoff has found that there may not be a correct answer, after all.
The Amazing Production of Kavalier & Clay
Seattle’s Book-It Repertory Theatre has adapted all 636 pages of Michael Chabon’s The Amazing Adventures of Kavalier & Clay for the stage.
●
●