At McSweeney’s, Shakespearean letters to Santa.
As Nick Richardson notes for the London Review of Books, Saul Bellow’s son, Adam, has his hands full these days. When he’s not maintaining a site devoted to conservative “literature,” he’s extolling the virtues of conservative fiction writers you “probably have never heard of — and won’t, if the powers that rule the lit-crit, fanfic, and commercial publishing worlds have anything to say about it.”
HTML Giant contributor Jimmy Chen has written a masterful and hysterical piece for McSweeney’s entitled “Raymond Carver’s OKCupid Profile, Edited by Gordon Lish.”
Between Page and Screen is a collaboration between book artist and poet Amaranth Borsuk and programmer Brad Bouse that experiments with the border between regular old reading and e-reading. The text is rendered in a code that requires the aid of a web cam to unlock its sentences. The work’s creators have been interviewed at imprint.
Jacob Silverman reviews two new novels – Note to Self and The More You Ignore Me – that “take on one incarnation of the Internet: the Internet as pathology” but ultimately fail to succeed “in exploring or critiquing digital life with any authority.” He notes that “like any technology, [the Internet] has to be shaped for the purposes of literature.”