At McSweeney’s, Shakespearean letters to Santa.
Santa, my Liege
Eliot Reflects on “Prufrock”
The 92nd Street Y has released a never-before-heard 1950 recording of T.S. Eliot reading many of his most famous poems and delivering comments on craft.
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Bellow’s Heir
As Nick Richardson notes for the London Review of Books, Saul Bellow’s son, Adam, has his hands full these days. When he’s not maintaining a site devoted to conservative “literature,” he’s extolling the virtues of conservative fiction writers you “probably have never heard of — and won’t, if the powers that rule the lit-crit, fanfic, and commercial publishing worlds have anything to say about it.”
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“Working on some short stories but … not that into it”
HTML Giant contributor Jimmy Chen has written a masterful and hysterical piece for McSweeney’s entitled “Raymond Carver’s OKCupid Profile, Edited by Gordon Lish.”
Between Page and Screen
Between Page and Screen is a collaboration between book artist and poet Amaranth Borsuk and programmer Brad Bouse that experiments with the border between regular old reading and e-reading. The text is rendered in a code that requires the aid of a web cam to unlock its sentences. The work’s creators have been interviewed at imprint.
Connecting the Dots
How did commas, colons, dashes, and question marks come into existence? Keith Houston writes for BBC about the history of punctuation.
On Internet Fiction
Jacob Silverman reviews two new novels – Note to Self and The More You Ignore Me – that “take on one incarnation of the Internet: the Internet as pathology” but ultimately fail to succeed “in exploring or critiquing digital life with any authority.” He notes that “like any technology, [the Internet] has to be shaped for the purposes of literature.”
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