When you want to distinguish fiction and poetry writing from academic work or journalism, you use a straightforward term: creative writing. But what if that term is not the one you should use? At Slate, an article on the subject by Cydney Alexis, originally published by Inside Higher Ed.
For Angelenos: Elif Batuman will be reading from The Possessed tonight at 7:00 at the LAPL Central Library. A conversation with LA Times Books Editor David Ulin follows the reading. More information and reservations here (tickets are free).
“As much as I claimed that I read for my own edification, it was a lie. The books I was most drawn to were those that were loved by someone in my life. Reading them, I thought, would teach me all I needed to know about them—nice and safe, from a distance. Reading them with one hand, it was easy to have the other keep them at arm’s length.” Romy Sugden writes for The Oyster Review about trying to connect with her estranged father by reading John le Carré‘s A Perfect Spy.
Take a vicarious trip to China via a special issue of Ninth Letter, a literary and arts journal published by the University of Illinois, Urbana-Champaign. Including work by authors Madelaine Thien and Khaled Al Khamissi, the issue grew out of a residency sponsored by Sun Yat-sen University’s Center for English-language Creative Writing, the only such department of its kind in that country. Pair with this piece by Casey Walker about writing his novel Last Days in Shanghai, which is set in the boomtown of today’s new China.