“I came back to my studio and tried to think of the slowest possible way to write a novel, and the slowest way is with frosting.” The Paris Review interviews cartoonist Lynda Barry about writing novels with a paintbrush.
After earning herself a “test run” writer’s residency aboard an Amtrak train, Jessica Gross reflects on the virtues and benefits of writing by railcar. Meanwhile, Alexander Chee announces he’ll be writing on the rails from New York City to Portland this Spring. You can read some more information about the program over here.
For Buzzfeed Rachel Vorona Cote explores Eve Babitz and the white literary It Girl. “Readers, particularly literary women in their twenties and thirties, seem to be entranced by this child of Hollywood, who unabashedly relished her LA milieu and both chronicled and defended its paradoxes. But it’s still a milieu that flattens the city into one that is homogenous, wealthy, and white.” Pair with this essay about her novel Sex and Rage.
Haruki Murakami retired his running shoes to walk to Kobe and rediscover his hometown. “Strictly speaking, it’s not my home town any more. I feel a deep sense of loss at this fact, as if the axis of my memories is faintly, but audibly, creaking within me. It’s a physical sensation,” he writes in an essay for Granta.