Lynda Barry on the Painted Novel

December 6, 2010 | 1

“I came back to my studio and tried to think of the slowest possible way to write a novel, and the slowest way is with frosting.” The Paris Review interviews cartoonist Lynda Barry about writing novels with a paintbrush.

is an associate editor for The Millions. She works for the New York Civil Liberties Union, the NY Chapter of the ACLU. She was formerly a writer for The Atlantic's news website The Wire, and a co-editor of NY media blog FishbowlNY. Her writing has appeared in The Millions, TheAtlantic.com, Newsday, National Journal, The Rumpus, and elsewhere, and is partly collected at her website, TheCivilWriter.com. Follow @ujalasehgal.

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