“I came back to my studio and tried to think of the slowest possible way to write a novel, and the slowest way is with frosting.” The Paris Review interviews cartoonist Lynda Barry about writing novels with a paintbrush.
Emily Dickinson didn't get out much, so why should we have to in order to read her work? Her open access manuscripts, letters, and envelope scribbles are now available online in the Emily Dickinson Archive. But now there's controversy over who is the rightful owner of her manuscripts and who should shape the archives — Harvard or Amherst?
Good news! According to Vinson Cunningham’s new essay in The New Yorker, beauty merely “masks and perfumes ... it freezes moral categories in place,” whereas ugliness, on the other hand, “is sometimes the closest thing to the truth.” Wait, is that good news? Bonus: Vinson wrote a Year in Reading piece for us.
Richard Adams might be the only prominent author to make his name with a novel in which all of the main characters were rabbits. In The Guardian, he talks with Alison Flood about his classic Watership Down, explaining that he first came up with the plot while telling his children a story on a car ride.
"The Google Translate results feel less and less lucky as the sentence progresses, and with each new roll of the search engine dice." Over the six years that Esther Allen was translating Argentine novelist Antonio Di Benedetto's classic, Zama, she would occasionally run lines through Google translate as an experiment in the ersatz. Pair with translator Alison Anderson on "Ferrante Fever" and what a great translation adds to the original work.
J.K Rowling is a vandal! The billionaire and author of the Harry Potter series left her mark in an Edinburgh hotel room when she scribbled some graffiti on the back of a decorative bust back in 2007. "J.K. Rowling finished writing Harry Potter and the Deathly Hallows in this room on 11 Jan 2007," it reads. Oh, I suppose that's okay.