“By having children, I’ve both sabotaged and saved myself as a writer… Many of the writers I love most were alcoholics. I’ve made my choice, I sometimes think: Wonderful children instead of hard liquor.” The Paris Review interviews Louise Erdrich for its Winter issue.
Louise Erdrich: The Paris Review Interview
Twitter and its Relationship to Language
A group of researchers from the University of Cambridge is using Twitter to help research the rapidly disappearing Welsh language “[because] tweets don’t follow the conventions of written language” and instead “provide an authentic snapshot of spoken language.” (Bonus: Twitter’s stunning visualizations of “tweet geography.”)
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Adventures in Publishing
Ted Thompson, whose novel The Land of Steady Habits was released earlier this year, writes for Salon about his experience publishing his first book. Pair with this conversation between our own Bill Morris and Edan Lepucki, who both have novels coming out this month.
Hard Choices
Recommended Listening: David Sedaris presented three short stories while guest hosting WNYC’s Selected Shorts. The three stories were written by Amy Hempel, Tobias Wolff, and Frank Gannon, and each one has to do with “hard choices,” says Sedaris.
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Dear Mr. Watterson Gets a Trailer
A few months back, I wrote about Dear Mr. Watterson, which at the time was set to premiere at Cleveland’s International Film Festival. Well, fans of Calvin and Hobbes will be happy to learn that the Bill Watterson documentary has just released its first teaser trailer. Look for the flick to hit theaters this November.
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“At once sensuous and crisp”
Last week, I wrote about the new Philip Marlowe novel by Benjamin Black, aka Year in Reading alum John Banville. Over the weekend, Banville published an essay in The Guardian about writing the iconic character, whom he describes as “one of the immortals.”
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FLOW
Year in Reading alum Michele Filgate interviews Dawn Finley, one of the people behind the Feminist Library on Wheels (F.L.O.W.) in Los Angeles.
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The Idealistic Hero
“What is missing from Testimony is the customary idealistic hero, the one last encountered in Walt Whitman’s Leaves of Grass who doesn’t avert his eyes from suffering and sordidness, but who nevertheless is full of hope for a better future. Testimony is a corrective, an anti-epic.” Charles Simić recounts Charles Reznikoff’s long poem Testimony: The United States (1885-1915): Recitative in the NYRB.