Google has launched a new search filter to its “advanced search page” that allows people to sort content based on reading level — basic, intermediate, or advanced. Google thinks The Millions lands in the middle. Search your website using the feature to see how Google rates it. (Disclaimer: we can’t see any rhyme or reason to their ratings.) (Update for you visitors from Gawker: If this Google business bores you – and lets be honest, it’s not that exciting – stick around and check out our much more scintillating Year in Reading series, featuring Margaret Atwood, John Banville, Sam Lipsyte and all manner of literary luminaries.)
“On the surface ‘The Lady with the Little Dog’ is a love story,” writes Elliott Holt in a blog post for The Missouri Review. “[It’s] a romantic one at that, but it’s also about the tension between the person we show the world and the one we keep to ourselves. The older I get, the more the story resonates with me.”
“How can we trust ourselves? Trust that our skills will return? Trust that this blank document—this one, right now—won’t be our undoing? The previous essay I wrote won’t save me when the blank document stares, and the deadline looms, and the editor lurks, and the readers wait.” Mensah Demary on writing and forgetting.
Electric Literature has published a look at two new Sherlock Holmes fan fictions, “the game,” and various copyright complications, which just happens to dovetail with our own Elizabeth Minkel‘s Year in Reading account of admitting to loving Sherlock fan fic. In fact, loving the great detective has a lot to do with writing well: as Ryan Britt puts it, successful fan fiction authors “all love Holmes and his adventures way more than the man who created the great detective thought possible. Which, today, remains the biggest cultural mystery we’ll hopefully never get tired of investigating.”
A lot is written about artists just starting their careers, and about those artists with a lifetime of work to look back over, but in a piece for The Enemy Barry Schwabasky considers the difficulty of being somewhere in the middle of an artistic career. After all, “most artists do, for better or worse, live through what’s come to be known as their midcareer. It’s just that they don’t often do so with ease. … The middle of the journey sometimes seems to be all about losing the way.”
“This is a story about a woman who was erased from her job as the editor of the most famous literary magazine in America.” For Longreads, A.N. Devers writes about Brigid Hughes, the second editor of The Paris Review, who has been all but scrubbed from the magazine’s history. See also: Dever’s 2011 Year in Reading entry.