“The unverifiable world is vast and accommodating.” From Robert Atwan’s essay (pdf) “A Remarkable Orgasm, A Dying Pig, and A Scarlet Letter: Is It Truth, Fiction, or… Autobiography?” (via @maudnewton)
“Learning to really listen to it and learning to kind of embrace it, rather than running away from it, was a very useful thing to do,” says Hari Kunzru of the sounds of New York City’s streets. The sirens, horns, and arguments are the inspiration for his new “multimedia book,” Twice Upon a Time: Listening to New York. (Bonus: Kunzru has participated in our Year in Reading series two times in the past.)
Chief among your more anxiety-producing kinds of literature is the genre of books geared towards expectant mothers. Examples of the genre offer every bit of advice imaginable — much of it contradictory — and condemn a laundry list of relatively common behaviors. At Salon, our own Lydia Kiesling recounts her own dive into the pregnancy-lit waters. This might also be a good time to read fellow staff writer Edan Lepucki on the perils of reading while expecting.
“Imaginary Oklahoma” is an ongoing platform at This Land Press in which “some of today’s most important and influential writers combine with artists from outside the state [of Oklahoma] to provide a fictional take on this place we call home.” New Yorker editor, author of Celebrity Chekhov, and chart enthusiast Ben Greenman has written a piece entitled “Always and Forever.”
“If the history of the American sentence were a John Ford movie, its second act would conclude with the young Ernest [Hemingway] walking into a saloon, finding an etiolated Henry James slumped at the bar in a haze of indecision, and shooting him dead.” Adam Haslett takes on Stanley Fish, Strunk & White, and the art of writing a sentence.