The Believer posts a 2003 essay featuring Donald Barthelme’s reading list, which came secondhand to Kevin Moffett, a self-professed non-reader: “Barthelme’s only guidance, passed on by Padgett Powell, one of Barthelme’s former students at the University of Houston and my teacher at the time, was to attack the books ‘in no particular order, just read them,’ which is exactly what I, in my confident illiteracy, resolved to do.” (via The Paris Review)
“A ‘Complete Poems’ is a death certificate and memorial combined. After the Selected and the Collected, the Complete marks the poet’s official demise and at the same time erects a carven monument designed to outlast the ages.” At The Guardian John Banville reviews The Complete Poems of Philip Larkin which will be out on these shores in March.
This blog post from the NYT Magazine’s culture editor Adam Sternbergh rounds up some some well known lit lovers’ suggestions for some of those of you looking for some “red hot summer trash” to add to your reading list. Maud Newton and our own Garth Risk Hallberg both recommended Lonesome Dove, so that’s going on my reading list for sure.
Over the past week, the work of three Millions staffers has been shown off for other publications: Mark O’Connell talks Lethem, Dyer and Batuman for Slate; Emily St. John Mandel talks noir for Beyond the Margins; and Garth Risk Hallberg names his selection for this year’s Pulitzer-less Pulitzer Prize for Fiction.
What does Jonathan Franzen think of the cover for Freedom? What about Charlotte Strick, the book’s designer? Or the photographers that took photos of those trees, of that blue warbler? Talking Covers has collected their thoughts, and plays host to other cover-related conversations besides. Check out this one The Flame Alphabet.
Writing for Airship Daily, Freddie Moore provides an overview of ten of her favorite unpublished J. D. Salinger stories. She also shares instructions on how to find – while being careful not to link directly toward – a “207-page trove of 22 out-of-print pieces available online.” This is for the best, considering the relationship between the Catcher in the Rye author, his unpublished works, and U.S. copyright.