Now that he’s signed a $142 million contract with the Boston Red Sox, outfielder Carl Crawford has turned his attention to pursuing his decades-long dream of running an antiquarian bookstore. (context)
“Courage is not a word I’d use to describe a lot of today’s fiction. Writing, M.F.A. students are often told, is a messy exploration of the self. The result can be a suffocating narcissism, a lack of interest in the kind of extrapolation and exploration that is necessary to both mathematics and literature.” At Page-Turner, Alexander Nazaryan urges young writers to learn math.
"I don’t know anymore where I begin and Obama ends." Go and check out this fascinating profile of Ben Rhodes, the "Boy Wonder of the Obama Whitehouse," who dropped out of his second year at NYU's M.F.A. program after witnessing the attacks on September 11th to take up a life of international affairs and foreign policy. When asked about whom he would choose write the story of his work life, Rhodes picked novelist Don DeLillo: "He is the only person I can think of who has confronted these questions of, you know, the individual who finds himself negotiating both vast currents of history and a very specific kind of power dynamics. That’s his milieu. And that’s what it’s like to work in the U.S. foreign-policy apparatus in 2016."
Edvard Munch's The Scream recently garnered a record breaking $119.9 million at Sotheby’s in New York. Despite the "tasty narrative potential" of the iconic artwork, the Pulitizer Prize winning art critic Holland Cotter thinks that the painting's new owner spent their vast sum of money unwisely.
The Canadian writer Mavis Gallant passed away on Tuesday morning at the age of 91. A frequent New Yorker contributor, Gallant published two novels and ten volumes of short fiction in her lifetime, one of which, Home Truths, won the Governor General’s Award. The Globe and Mail's obituary describes her as having “a journalist’s nose, a cinematographer’s eye and a novelist’s imagination.” (Andrew Saikali wrote about Gallant for The Millions back in 2008.)
Granta posts Salman Rushdie’s 1984 essay ‘Outside the Whale’ - a response to an essay by George Orwell about the political role of the artist: “If writers leave the business of making pictures of the world to politicians, it will be one of history's great and most abject abdications.”