A fresh take on the year-end list: Bygone Bureau’s Best New Blogs of 2010.
“Tracing the journey of a mediocre actor and Holocaust survivor ‘touched by some mysterious higher design’ as he forges and impersonates his way through the war and then back to the city of his birth, the story is part Samuel Beckett and part Isaac Bashevis Singer, with a sudden final bolt of O. Henry. It has the flavour of a morality tale, but what’s most fascinating to me is how difficult it is to derive a moral from it, or rather how easy it is to derive more than one and how openly they stand in conflict with each other.” Kevin Brockmeier extols the fiction of Leandro Sarmatz.
“Even weeks after its publication, no one agrees on What Happened and Clinton’s ability to assess her own past. But in post-truth America, the truth that becomes history may well be decided by star-rating.” The Guardian considers how Amazon reviews became the new battlefield of US politics. Namechecked in the piece: Nancy MacLean, whom we interviewed about her new book, Democracy in Chains: The Deep History of the Radical Right’s Stealth Plan for America, here.
"Many writers write vexed introspection, or detail-oriented reporting, or counterintuitive cultural commentary, or lifestyle journalism. But so far only Didion has done all four in perfect synthesis, a prose that, at its best, can fire on every cylinder and work on multiple fields of the imagination at once." In support of the Kickstarter project for the documentary on Joan Didion, We Tell Ourselves Stories in Order to Live, Nathan Heller looks back over Didion's writing career, her "imaginatively seductive" nonfiction writing and her carefully constructed confessionalism in a piece for Vogue.
Joshua Cohen, author of the recently published Book of Numbers, will begin writing a serialized, twentieth-century version of Charles Dickens’ Pickwick Papers live and online next week. Beginning October 12 at 1pm, viewers can watch Cohen spend five days reimagining the book and will be able to offer criticism that may affect the ending.