Alexander Chee has a lovely essay about books and technology up at The Morning News.
Chris Adrian's The New World, a digital-platform book we wrote about before, is now on shelves. I mean that idiomatically and not literally -- as none of the editions favored by The Atavist's young publishing arm for this lyrical love story of life after death (interactive ebook app, text-only Kindle/iBook/Google) involve paper.
For a man who’s retired, Philip Roth is still oddly present in the literary world. Ever since he announced his intention to quit writing, he’s made a stream of public appearances, including an awards ceremony at Yaddo one week after claiming he’d never appear on stage again. So what gives? In The Baffler, J.C. Hallman explains why writers can never really quit, in a piece that nicely complements our own take on literary retirement. FYI, Hallman has written for us.
Self-published novelist Kemble Scott debuts at no. 5 on the San Francisco Chronicle's bestseller list with The Sower, following a limited hard-cover release to Bay Area independent booksellers by Numina Press, who acquired the book after Scott's initial e-book upload to scribd.com in May. According to Publisher's Weekly, "The Sower has had one of the most unorthodox publishing trajectories in these changing publishing times."