“Where is the black version of Caddie Woodlawn (a 19th-century Wisconsin tomboy) or Harriet the Spy (a 20th-century Upper East Sider), smart, spunky, fictional heroines for the tween crowd?” Victoria Bond and T.R. Simon fictionalize beloved Harlem Renaissance writer Zora Neale Hurston as a girl detective in Zora and Me.
Can the art of teaching art actually be exhibited? A new exhibition at the Institute of Contemporary Art in Boston about the one-time Asheville, NC institution Black Mountain College asks just such questions. Black Mountain College was a controversial, short-lived bastion of free-thought and artistic expression which hosted such figures as Josef Albers, John Cage, and Robert Creeley from 1933 to 1957.
Facebook's amended S-1 to its IPO was filed this week, and the details confirm some of the doubts raised in the last filing. The company estimates that between 5-6% of its most active users could in fact be "duplicate" (read: fake) accounts. Put in more concrete terms, of Facebook's estimated 850 million users, 46,475,000 may be like this one. (46 million, by the way, is roughly the population of Colombia, Spain, or Ukraine.)
Following the example of Flaubert, whose Dictionary of Received Ideas compiled the clichés of its day, Teju Cole set out on Monday to record his own clichés on Twitter. At Page-Turner, he sums up his experiment in a blog post. (You may recall that this is not the first time Cole has won acclaim for his Twitter account.)