At the Paris Review Daily, a post on what bloggers owe Montaigne: “There seems no end to the appeal of the essayist’s basic idea: that you can write spontaneously and ramblingly about yourself and your interests, and that the world will love you for it.” (via Book Bench)
What Bloggers Owe Montaigne
Open City Closes
Open City, a showcase for edgy writing for the past 20 years, is closing down due to the withdrawal of several sources of funding. “These things are not institutions,” founder and co-editor Thomas Beller tells the New York Observer.
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Global Fame for a Literary Icon
“She told the students not to explain too much, that they could throw in expressions in Igbo or Yoruba or pidgin and trust the reader to get it. She told them that even if a story was autobiographical it should be shaped—that, for instance, although in life you could have ten close friends, in fiction you could not, because it was too confusing. She told them to avoid inflated language—’never purchase when you can buy.'” A delightful (and somewhat rare) long profile of Chimamanda Ngozi Adichie in the New Yorker.
Brooklyn Was Mine
Paula Fox‘s ostensible review of L.J. Davis‘ A Meaningful Life in the current New York Review of Books is really (pace N1BR) a transporting memoir of Brooklyn in the ’70s.
How to Be A Writer
“Facing the daily avalanche of stories about outrageous corruption, writing about timely political issues can often feel pointless. It can be easy to lose faith in the creative process.” For LitHub, an essay by Tom McAllister on writing about politically-charged traumas with humanity and his new novel, How to Be Safe. Pair with: our 2010 interview with McAllister.
I Am Not a Writer
“I grew up hearing my father digging into words for images that will stretch the limits of life for my siblings and me. In my father’s mouth, bitter, rigid words become sweet and elastic like taffy candy. His poetry shields us from the poverty of our lives.” Kao Kalia Yang for The Literary Hub on learning to understand her blue-collar father as a legitimate literary force.
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A Way Out
Recommended Reading: Ursula Lindsey of The Nation takes a trip to Cairo, where many of the Egyptian capital’s artists and writers are being forced to find a way out due to government crackdowns.
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