The New Yorker has collected all the stories from its 20 under 40 series into a single, snappy volume, on sale now. Also out this week is the third volume of Edmund Morris’ biography of Teddy Roosevelt and a new literary foray by comedian Steve Martin, An Object of Beauty.
The New York Public Library announced their eighteenth annual Young Lions Fiction Award, which is “given annually to an American writer age 35 or younger for either a novel or a collection of short stories.” The 2018 finalists are: Lesley Nneka Arimah‘s What It Means When a Man Falls from the Sky, Venita Blackburn‘s Black Jesus and Other Superheroes, Gabe Habash‘s Stephen Florida, Emily Ruskovich‘s Idaho, and Jenny Zhang‘s Sour Heart. From our archives: Habash and Zhang‘s 2017 Year in Reading entries.
This essay by Mensah Demary for Electric Literature on Nas and the literary legitimacy of hip-hop is the best thing you’ll read this morning. “Nas is a world-class storyteller and practitioner of the narrative form,” Demary writes, “I don’t understand why there isn’t more discussion around hip-hop’s literary value among today’s millennial-and-boomer intelligentsia.”
“The physical purpose of reproduction is, obviously, the continuation and renewal of genetic continuity, human survival. Its psychological purpose seems to me to be a particularly poignant kind of mutual learning and, matters being equal, ineffable comfort.” What is the relationship between being an artist and being a parent? Maria Popova at Brain Pickings takes a look at sculptor Anne Truitt’s collected journals, Daybook, to try and suss out an answer.
“We lived, as usual, by ignoring. Ignoring isn’t the same as ignorance, you have to work at it.” BookRiot did us all a service by finding out the 10 most highlighted passages of (the e-book edition of) Margaret Atwood‘s The Handmaid’s Tale. You must also read our own Edan Lepucki on reading and re-reading Atwood.