NY Press has a long look at the history of iconoclastic indie press Soft Skull, which recently shuttered its New York office, effectively ending the publisher’s run as a standalone press and making it just an imprint of California-based parent (and, it should be noted, rescuer from financial straights) Counterpoint. Incidentally, I’ve had a front row seat for all this, as, for the book I’m co-editing, I was initially working with the good folks in New York and then everything was suddenly (and thankfully without a hitch) transferred to the folks in Berkeley. (Thanks, Craig)
If the idea of Rachael Ray as queen of the food world shivers your timbers, read no further: Gourmet magazine, until now stewarded by the excellent Ruth Reichl, will cease publication with the November issue, the NY Times reports. Condé Nast also gave the axe to Cookie, Elegant Bride, and Modern Bride. The print media mass grave fills apace...
Joe Kubert died this week at the age of 85. Perhaps best known as the DC comics legend responsible for such characters as Sgt. Rock, Hawkman, Enemy Ace, and Tor, Kubert was also the founder of The Kubert School, the only accredited trade school for comic book artists in the country. You can check out a video of Kubert talking about digital comics over here.
"Not long ago The New York Times featured a story about a Brazilian motel for dogs—to promote amorous canine liasons—that also sold nonalcoholic dog beer, had a Japanese ofuro soaking tub, and lots of branded dog apparel." The current state of man's best friend.
An unpublished novel by ESPN the Magazine editor Paul Kix will be adapted into a movie by True Detective director Cary Fukunaga. The project is known as Noble Assassin, and it will concern a French aristocrat who trains with British Special Operations in hopes of one day returning to his native country to lead the World War II resistance.
The thing about Dave Chappelle, writes Rachel Kaadzi Ghansah in her marvelous essay on the comedian’s family history, the success of Chappelle’s Show, and how the two informed his opinions on race, “is that he was suddenly vaulted into the awkward position of being the world’s most famous interlocutor in a conversation about race—the one conversation no one likes having.” In light of his recent heckling in Connecticut, as well as the continued misinterpretation of his comedy, “it’s easy to understand why Chappelle was done with being misread, tired of explaining, [and so he] finished talking.”