NY Press has a long look at the history of iconoclastic indie press Soft Skull, which recently shuttered its New York office, effectively ending the publisher’s run as a standalone press and making it just an imprint of California-based parent (and, it should be noted, rescuer from financial straights) Counterpoint. Incidentally, I’ve had a front row seat for all this, as, for the book I’m co-editing, I was initially working with the good folks in New York and then everything was suddenly (and thankfully without a hitch) transferred to the folks in Berkeley. (Thanks, Craig)
The Table 4 Writers Foundation, which was established in the honor of Elaine Kaufman, will award $2,000 grants for never-before-published works of fiction and non-fiction. The deadline for submissions is October 15. (h/t Bill Morris, who has written about the foundation and grant program before.)
Picture books have always been a good way to teach your children difficult concepts. They cover everything from bodily functions to the makeup of modern families. At Slate, Gabriel Roth writes about a picture book that taught his child about death. You could also read T.K. Dalton on teaching your children about gender.
Just in time for the new season of Mad Men, The Paris Review unlocked their interview with Matthew Weiner from the new issue. The showrunner talks, among other things, about his father’s love of Swann’s Way and his own adolescent love of Winesburg, Ohio. You could also take a look at our own Hannah Gersen’s list of books to read when the season winds down.
In an effort to get consumers to think more consciously about the “human cost” of commercial sugar production, artist Kara Walker has installed “Subtlety,” a large-scale public sculpture in Brooklyn’s iconic Domino Sugar Factory. Meanwhile, Edwidge Danticat explores contemporary labor conditions in the Dominican Republic’s cane fields.
Is Alejandro Zambra the new great Latin American writer? James Wood thinks he is. In the latest New Yorker, he describes how Zambra’s new story collection alerted him to the writer’s oeuvre, going on to analyze all three of the writer’s novels in English. You could also read our 2011 interview with Zambra.