Michael Chabon teases us with a synopsis of his “wrecked” 1,500-page novel, Fountain City (to be excerpted in a forthcoming issue of McSweeney’s).
“Setting is often the last piece of the jigsaw. I start somewhere else—with a kind of a premise, a set of relationships, a theme—and I often have a long period when I can’t figure out where the story should be put down. I find myself going location hunting. Not just for a time and place, but also for a genre, if you like.” Kazuo Ishiguro on the Hazlitt podcast. For more things Ishiguro, here is our own Lydia Kiesling’s review of Ishiguro’s latest novel, The Buried Giant.
Amazon has refreshed its line of Kindles once again. The price point on a basic version that utilizes Wi-Fi has dropped way down to $139. Opt for the 3G version and the price is $189. The device now boasts better contrast, less glare in sunlight, and it now comes in a new color: “graphite.”
At The Washington Post, Michael Dirda on the dissolute genius Thomas De Quincey (opium addict, original chronicler of addiction, master of the macabre, prolific C19th essayist).
The debut issue of Candor magazine is like a Sassy for the intellectual set, rife with wit (Emily Gould and Merisa Meltzer discuss Away We Go), intelligence (writer mother Rachel Zucker and woman writer Sarah Manguso speak candidly about identity, motherhood, women’s prejudices and writing), and women’s rights (Atossa Abrahamian considers the rhetoric of the rape victim).
“I wanted to offer my students an alternative to the purely confessional mode. I wanted them to write about themselves without falling into a paralyzingly portentous tone. I wanted more humor in their work, more complexity, more detail, more balance—more good writing. I wanted fewer italicized passages, less use of the breathless present tense. I wanted no more tears in the workshop, no more embarrassing scenes.” Emily Fox Gordon writes about trauma narratives in the classroom, the trouble with writing as therapy, and the key differences between confessing and confiding in an essay for The American Scholar.
“Even weeks after its publication, no one agrees on What Happened and Clinton’s ability to assess her own past. But in post-truth America, the truth that becomes history may well be decided by star-rating.” The Guardian considers how Amazon reviews became the new battlefield of US politics. Namechecked in the piece: Nancy MacLean, whom we interviewed about her new book, Democracy in Chains: The Deep History of the Radical Right’s Stealth Plan for America, here.