“[M]ore people have thought Hamlet a work of art because they found it interesting, than have found it interesting because it is a work of art.” Who other than T.S. Eliot could get away with questioning the artistic quality of Hamlet?
In 1998, T.C. Boyle released his first massive collection of short stories, titled, appropriately enough, Stories. Clocking in at 700+ pages, the book illustrated the zany profligacy of one our premier short fiction writers. Now Boyle has released a new collection — titled (of course) Stories II — and with it comes a new trailer.
Among the raft of news stories that came out about Facebook recently, you may have missed the company’s quiet revolution in grammar, signified by its adoption of the much-debated singular “they.” If thinking about this change makes you queasy, just remember that singular “they” has been around since the days of Chaucer. (Related: Fiona Maazel on bad grammar.)
There are many flavors of noir, but the one that may be the most relevant to our lives today, Julia Ingalls argues, is corporate noir, which often takes the form of science fiction. At the LARB, she writes about several examples of the genre, including Alan Glynn’s Graveland and Natsuo Kirino’s Out.