After reading through two new biographies of Sylvia Plath — American Isis and Mad Girl’s Love Song — Terry Castle concludes that “nothing about her life or legacy seems wholesome or resolved.” (Related: our own Hannah Gersen talking with Pain, Parties, Work author Elizabeth Winder.)
“Hill had maintained a daily writing routine since age 13, completing four or five books as a teen and four more as an adult, and was now, at the cusp of 35, finally putting out a novel—a ghost story.” GQ profiles Joe Hill about his writing, being the son of Stephen King, and finding success in his own right. From our archives: our own editor Lydia Kiesling‘s essay on King, nostalgia, and America.
“Recently, a friend told me she didn’t like pictures of herself because she never looked the way she thought she did in her head. I think this pretty much describes the universal horror that is looking at your own photos, and that’s why I love the selfie so much. It gives you all the controls to the story you are telling.” In defense of the selfie.
The Washington Post discusses the literary pedigree of the town where I was born, went to college, and got married.A good review of Jonathan Lethem’s new collection of essays, The Disappointment Artist in the New York Observer.Got a nice note from Ulrich Baer, editor and translator of a new book put out by the Modern Library called The Poet’s Guide to Life: The Wisdom of Rilke. Sound interesting. Have a look.Why we blog.
Wouldn’t it be nice if your brain just went ahead and created that pesky simile for you? For individuals suffering with synesthesia (a neurological disorder in which one sense is “cross-wired” with another, such as seeing the color red or hearing a sour taste) the brain does just that. Here’s a piece from Electric Literature that takes a look at synesthesia, substances, and seeing the world askew.