Nelly Kaprielian parties with Michel Houellebecq after he wins the Goncourt: “‘After France, the world!’ jokes Beigbeder, and everybody’s quick to raise a glass.”
In 1979, William Gaddis taught a course at Bard College on “The Literature of Failure,” examining works that somehow focused on personal failure or insufficiency. These included, among other books, Joan Didion’s Play It as It Lays, as well as Dale Carnegie’s How to Win Friends and Influence People. In Bookforum, Casey Michael Henry takes on a related genre: the literature of obsolescence. You could also read James Cappio on meeting Gaddis in person.
There are reality TV shows for aspiring designers, singers, and chefs, so what about writers? The Italian reality show Masterpiece will pit writers against each other in competition for a book deal. As judge Giancarlo De Cataldo said, “The book is dying, and we must do everything we can to save it. Even a talent show.” We expect a lot of dramatic crying at typewriters.
“Like actual endangered species, independent bookshops induce a fiercely protective kind of love; paradoxically, it’s often their precarity that saves them.” The Guardian profiles Philippe Ungar and Franck Bohbot, the men behind “We Are New York Indie Booksellers,” which features the 50 remaining indies in and around Manhattan. (Pair with: Janet Potter‘s history of bookstore love).
Freudians know that Eros and Thanatos are opposites in the human psyche. The former, the love instinct, pushes us to survive, while the latter, the death instinct, pushes us to destruction. In an essay for Bookslut, Jelena Markovic explores the importance of Thanatos in daily life, using as an example a man she knew with an “instinct for nonexistence.”