Joan Didion has finished work on a new memoir about aging. It is to be titled Blue Nights and will be published by Knopf in 2011.
“So a single image can split open the hard seed of the past, and soon memory pours forth from every direction, sprouting its vines and flowers up around you till the old garden’s taken shape in all its fragrant glory.” Read an excerpt from Mary Karr’s The Art of Memoir at Longreads. Pair with Beth Kephart’s essay on how memoir can be a conversation between reader and writer.
As part of its 2013 literary awards, the PEN American Center will grant nearly $150,000 to writers, editors, and translators through sixteen different awards and fellowships, and for the first time ever they’ve decided to publish their shortlist online. Among the finalists is Sergio De La Pava, whose novel A Naked Singularity is up for the $25,000 PEN/Robert W. Bingham Prize for a debut work. You might recall our own Garth Risk Hallberg’s profile of De La Pava last summer, and you can catch a glimpse of the author’s next book on our Second-Half 2013 Book Preview.
It’s come to this. Since it first emerged, the @horse_ebooks Twitter feed has been alternately obsessed over and totally ignored for its ersatz Dadaism. Now a group of intrepid fans have begun writing fan fiction dedicated to its enigmatic writing prompts.
“In the supermarket of names, Gary is a box of day-old donuts on the grab bag table, sitting among the names favored by rising immigrants groups, fearless parents, and people who should be prosecuted for Naming Under the Influence. We are six behind Talon, which I don’t even think is a name. We are nine behind Issac, which I am certain is misspelled. We are forty-three behind Princeton, which won’t look good on your boy’s application to Dartmouth.” Gary Sernovitz writes about Google, “Nuthin’ But a ‘G’ Thang,” and the letter G at n+1.
“If I’m writing something about my period, it doesn’t mean that I’m not an intellectual. I can write an intellectual essay about my navel or a whole book about my period.” The Literary Hub has a transcript of Red Ink’s panel discussion on literary misfits, including Marcy Dermansky, Melissa Febos, Michele Filgate, Sarah Gerard, Emily Raboteau, and Lidia Yuknavitch. And we will never, ever miss a chance to mention Yuknavitch’s essay in our own pages about grief.