Joan Didion has finished work on a new memoir about aging. It is to be titled Blue Nights and will be published by Knopf in 2011.
“Scared of the living, scared of the dead, and even more scared of the dead who are immortal.” Chinese censors have cracked down on social media sites following the death and hushed burial-at-sea of writer and Nobel Peace Prize winner Liu Xiaobo last week, reports The New York Times.
If Moby Lives is right, the literary beef that erupted when Oprah selected Jonathan Franzen’s The Corrections for her book club and he rejected the (in his mind, dubious) honor is about to get a curious denouement. Speculation is that Freedom is poised to become another Oprah selection. And your author suspects that Franzen will be more welcoming this time around. (Oprah sticker haters should probably buy their copies of Freedom now, just to be safe.) Update: The AP confirms and so it begins again.
“0.5 hrs: Read this week’s New Yorker fiction. 0.7 hrs: Hated on New Yorker writer with her derivative characters & mise-en-scenes. 0.1 hrs: Looked up ‘mise-en-scene’ on Wikipedia. 1.3 hrs: Phone call with writer friend; discussed how much New Yorker fiction sucks. 0.5 hrs: Drafted & emailed query letter to New Yorker (for super postmodern story).” The good people at McSweeney’s imagine an impossibly tedious world where writers and poets bill by the hour.
A new study out of Stony Brook University employs a complex statistical model to figure out what makes a book successful. Judging books on the basis of Amazon sales, awards won and Project Gutenberg downloads, the scientists determined that successful books have a higher-than-average ratio of self-references, prepositions and coordinating conjunctions. Unsuccessful books, on the other hand? A high ratio of adverbs and location markers.