Yesterday, I wrote that I “[had] yet to read a comprehensive debunking” of B.R. Myers. For those still interested, I’ve been directed to some candidates: Meghan O’Rourke (2001), Daniel Green (2007), the Washington City Paper (2010, concerning neocon ideology and the shadowy RAND corporation), and part I of Steven Moore‘s The Novel: An Alternative History.
“While I’m glad we’ve had this chance to talk, because of time constraints I cannot answer these basic questions about race and how racism works.” Colson Whitehead considers new business cards. See our review of his Pulitzer-winning The Underground Railroad here.
Little, Brown & Company has pulled a mystery novel from the shelves after passages in the book were found to have been plagiarized from “a variety of classic and contemporary spy novels,” like James Bond novels and books by Robert Ludlum and Charles McCarry.
Out this week: The Dark Dark by Samantha Hunt; The Epiphany Machine by David Burr Gerrard; Like A Fading Shadow by Antonio Muñoz Molina; Beautiful Animals by Lawrence Osborne; The Dog’s Last Walk by Howard Jacobson; and Less by Andrew Sean Greer. For more on these and other new titles, go read our just-published book preview.
We celebrated Canada Day a bit early here yesterday with the news that Alice Munro won the Nobel Prize for Literature and our review of Margaret Atwood’s MaddAddam. So what is Canadian literature exactly? Atwood offered her definition for The Daily Beast: “It’s too multiple [to give a concise definition], but let us say that the point of view (if the writer is not pretending to be American, which they often are) is never that of someone who feels that their country is an imperial power. Because, in fact, Canada is not an imperial power.” You can also see The Handmaid’s Tale at the Royal Winnipeg Ballet next week.
Carve out some time to watch all forty-five minutes of Zadie Smith and Chimamanda Ngozi Adichie’s recent “Between the Lines” conversation if you want to find out why Americanah qualifies as Adichie’s “fuck you” book. (You can also just skip to the 16:16 mark if you’re unable to carve out enough time.)
Trend alert: there’s been a surprising proliferation of literary site spinoffs lately. First The Toast began The Butter, and then Electric Literature started Okey-Panky. Now the Los Angeles Review of Books joins the movement with The Offing, an online lit mag launching later this month.