Yesterday, I wrote that I “[had] yet to read a comprehensive debunking” of B.R. Myers. For those still interested, I’ve been directed to some candidates: Meghan O’Rourke (2001), Daniel Green (2007), the Washington City Paper (2010, concerning neocon ideology and the shadowy RAND corporation), and part I of Steven Moore‘s The Novel: An Alternative History.
Recommended reading: The Chronicle of Higher Education reports on the new modesty of literary criticism and the complicated relationship between texts, critics, and politics. For more on the balance between art and politics, look no further than Jonathan Clarke‘s Millions essay, “Alive with Disagreement and Dissent.”
“It’s part of Jane Austen’s genius that she can bring the maximum of drama and momentousness to the most minimal of occasions.” Here is David Denby from The New Yorker on reading (and listening to) Austen’s Emma, which is celebrating its two-hundredth year in print. We’ve brought you a bunch of bits on Austen in the past.
The Welsh government is hoping that Dylan Thomas can do for Swansea what James Joyce has done for Dublin. This year, officials have announced that £750,000 will be made available for the DT 100 Festival, which will celebrate the centennial of the poet’s birth. Aside from boosting tourism, however, the festival’s organizers also hope to “raise the status of Thomas,” who many feel has “[been] neglected [and had] his work … overshadowed by a conception of the man as a drunkard, scrounger and womaniser.”
Elvis Costello is calling the hefty price tag on his new box set “either a misprint or a satire” and advising fans to buy a Louis Armstrong box set or to wait until the discs included in his own box set are availble at a cheaper price “assuming that you have not already obtained them by more unconventional means.”