Roger Boylan at the Boston Review writes about the flourishing posthumous career of Mark Twain: “…more than 5,000 previously unknown letters of Twain’s have surfaced in the last 50 years. This represents an average of two new letters per week, but still only about one-tenth of the 50,000 or so he is believed to have written.” And at Slate, Craig Fehrman discusses the “brilliant brand management” behind the handling of Twain’s autobiography.
Mark Twain’s Posthumous Career
A Unified Theory of Doughnuts
For LitHub, Elizabeth McCracken proposes, at last, a unified theory of doughnuts: “Perhaps I cling to doughnuts because doughnuts still exist in the world, though Woolworth’s and Howard Johnson’ses don’t.”
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A New Adaptation of 1984
This week in book-to-film adaptation news: a new version of 1984 is in the works, with Paul Greengrass signed on to direct and a screenplay by James Graham.
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“In the morning, I don’t talk to anyone”
Roxana Robinson (who’s written for us) explores the complications of writing first thing in the morning.
Mixer’s Sex, Violence, & Satire Contest Extended
Mixer Publishing wants more of your sex, violence, and satire. They’ve just extended their contest deadline–for fiction, poetry, and graphic stories–to the end of the month, which gives you a few more weeks to conjure and submit satirical lust and gore for a chance to win their $1,000 prize.
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Twin Peaks literary criticism
With the end of the “Golden Age of TV,” let’s turn back to the show that started it all: Twin Peaks, “a revelation and inspiration for countless writers coming of age in the early 90s.” The new Twin Peaks Project begins with this nostalgic article in The Believer.
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The Relevance of Plasma
The vigilant excavators at Longform have dug up a fairly old piece, written by the essayist Jo Ann Beard, on a time in her life taken up by cagey dogs, vanishing husbands and the plasma in Saturn’s rings.
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A Hideous Play
“Titus Andronicus is a hideous play…. In other words, it’s one of those tragedies that was just crying out for an illustrated edition.” View Leonard Baskin’s grotesque etchings of Titus Andronicus in The Paris Review.
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