“When you think Franz Kafka, what comes to mind? Mitteleuropean gloom, perhaps… What you don’t think of is standup comedy.” Two young comedians are staging a new version of Kafka’s The Trial to hit the London stage next month.
Kafka as Comedy
The Treasures of Yale Open Courses
Thanks to the Yale Open Courses program, you can watch all 26 of Amy Hungerford’s lectures on “The American Novel Since 1945.” Also from the program, I highly recommend checking out John Rogers’ series of lectures on John Milton and Paradise Lost, as well as Paul H. Fry’s “Introduction to the Theory of Literature.”
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I’m sorry Shakespeare I am for real
Who has a bigger vocabulary: Shakespeare or André 3000? It’s actually Outkast. Data scientist Matt Daniels created an infographic that charts 85 rappers’ unique vocabulary in their first 35,000 lyrics. Outkast uses 5,212 unique words; whereas, Shakespeare only uses 5,170. But Aesop Rock beats the Bard by more than 2,000 words with a count of 7,392 unique words.
Poetry Can Be Anything
“He taught me that poetry can be anything and with that comes great freedom.” Reminiscences by a former student of the poet John Ashbery upon his death. And for a contemporary take on the question of just what, exactly, poetry is and/or might be, see our recent conversation between Jill Bialosky and Matthew Zapruder.
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Business v. Literature
Have the literati really framed the way we think about capitalism by disparaging business practices? If so, Forbes‘ Bruce Upbin is asking readers for examples of books (other than Mildred Pierce) in which business is portrayed nicely.
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Sense and Senility
What kind of writer would Jane Austen have been if she’d lived beyond her forties? We can never know, but Freya Johnston has some ideas.
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Bread, Bread, Bread
From “Insufficient Milk And Restraint” to “Eating Berries While Pretending To Be A Monk To Make Hunger And Desperation Feel Like A Game,” here is every meal from Jane Eyre ranked in terms of severity.
What’s Next? The KGB Bar Run By the Real KGB?
Over at Salon, Joel Whitney explains how The Paris Review worked with the CIA and “served, in part, as a covert international weapon of soft power.” While the possibility is certainly tantalizing, it’s necessary to read Whitney’s article alongside Carolyn Kellogg’s piece in the LA Times, which notes how “the threads of the article … become unsupportably tenuous” as it carries on.
I Am Not a Writer
“I grew up hearing my father digging into words for images that will stretch the limits of life for my siblings and me. In my father’s mouth, bitter, rigid words become sweet and elastic like taffy candy. His poetry shields us from the poverty of our lives.” Kao Kalia Yang for The Literary Hub on learning to understand her blue-collar father as a legitimate literary force.
Didn’t DFW try to teach his students that Kafka is funny?
Franz is hilarious, if you know what to look for. He’s the comic father of 75% of the comedians today, whether their mothers know it or not. Although The Castle is funnier than The Trial. But don’t wait for the punchline.