From New York Magazine, a harrowing piece on “Full Fathom Five,” the young adult fiction factory spearheaded by James Frey, and the controversial contracts young writers are asked to sign.
James Frey’s Fiction Factory
On Hikikomoris, Etc.
Recommended Reading: Larissa Pham on Milena Michiko Flašar’s I Called Him Necktie.
A Horrifying Triptych
Here are three pieces about horror in honor of 2012 being the centenary of Bram Stoker’s death. 1) Yazan al-Saadi’s fascinating survey of Arabic horror cinema, which is not only “about what can frighten most Arab audiences, [but is] … also a chronicle of the abnormalities and dysfunctions lacing the underbelly of Arabic cinema as a whole.” 2) Ed Park’s essay on “the audacious enterprise” of Rosemary’s Baby. 3) Stuart Kelly’s entreaty for modern writers of horror to “raise its game.”
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Let There Be
"LET THERE BE stress. Let the body respond to stress as it does to injury and infection. Let stress be a vulture that pecks at the mind and devours the body. This will make people less likely to be stressed. When they see stress wreak wrath upon the body, they will surely calm down a lot." It seems the big problem with intelligent design is that it had a pretty sub-par peer review.
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Bent Relics of Adolescence
Don DeLillo has a new short story in The New Yorker, about a teenage boy in the midst of his parents’ divorce. Delillo spoke with Deborah Treisman about the character’s obsession with words and how he sees his identity in light of his parents’.
This Atrium
The New York Times Magazine published an excerpt of the latest novel by Dave Eggers. The book, titled The Circle, follows Mae Holland, a woman who takes a job at a Google-esque company dubbed "the most influential in the world." At Reuters, Felix Salmon critiques the book's take on Silicon Valley.
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Chris Ware’s Radical Honesty
Hannah Means-Shannon shares a dispatch from the Rocky Mountain Conference on Comics and Graphic Novels in which Building Stories author (and Year in Reading alum) Chris Ware discusses his creative processes.
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