A writer pitches an addiction, and a subsequent addiction memoir (working title: Running Up a Glass Hill on Roller Skates) to a publisher, at McSweeneys.
"James Schiff, an associate professor of English at the University of Cincinnati, is working on a volume of Updike’s letters and has unearthed thousands of letters, postcards, and notes the author sent to complete strangers who wrote to him." The Guardian writes about an in-progress book of John Updike's letters that reveals how often the writer corresponded with not only his contemporaries, like John Barth and Joyce Carol Oates, but his readers as well. See also: an essay about the personal and literary relationship between Barth and Updike.
A while back, we noted that Tumblr had begun hiring editors and reporters to cover and curate the site’s social stories and original content. Recently, that (vaguely Soviet sounding) Department of Editorial launched the first iteration of its work: Storyboard. Details on participation can be read here.
Mallory Ortberg of The Toast, whose Ayn Rand-inspired versions of Harry Potter and the Half-Blood Prince and You’ve Got Mail we told you about a few months ago, is back it at again. Now Rand (er, I mean, Ortberg) has her sights set on the dubiously libertarian children’s classic If You Give a Mouse a Cookie. If we give you the article, you’ll probably ask us for an essay by Gary Percesepe about meeting Ayn Rand’s editor to go along with it.
What makes a sentence sad? At The Missouri Review blog, Aaron Gilbreath explores just why certain sentences are depressing — from A.A. Milne's The House at Pooh Corner to James Joyce's "Eveline." "Their emotional impact doesn’t stem solely from the combination of words. The impact often results from the circumstances of readers’ lives." Pair with: Sam Martone's metafictional short story about his grandmothers' deaths, "A Second Attempt," at Pithead Chapel.